One-Year Ago (01-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 6: Hosteria El Pilar, El Chalten, Laguna Torre, Parque Nacional Los Glaciaries.

Composite Panorama Image Processing.

There are several image processing programs available to combine images to afford wider panorama images. The images of Laguna Torre were taken on a hike from El Chalten in Parque Nacional Los Glaciares while on a Photography Workshop in Patagonia with Thom Hogan on 01-January-2011. Three examples shown below have four portrait orientation images combined using Photoshop CS5, AutoPano Giga 2.5, and PTGui. All three composite images were cropped to the largest rectangle: Photoshop (11865 x 5814), AutoPano (12572 x 6266), and PTGui (12091 x 5979). Photoshop did the best job in minimizing the stitching artifacts in the water. AutoPano Giga did the best job in including the most image area — our hiking guide in the far lower right corner of the image is not cut off

Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using Photoshop CS5. (David J. Mathre)
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using Photoshop CS5.
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using AutoPano Giga Pro. (David J. Mathre)
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using AutoPano Giga Pro.
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using PTGui Pro. (David J. Mathre)
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using PTGui Pro.

Tuesday (16-August-2011) — New Jersey

Backyard Summertime Clouds and Landscape in New Jersey.

After the Storm. It has been raining a lot since last Saturday night. The storm system is finally leaving. I hoped to get a rainbow, but had to settle for a landscape view from my backyard. But then again, it is not often I can take a landscape image with weather/clouds from my backyard. The image was taken with a Leica X1. The first version of the image is the “out of the camera” JPG. The next two were the Leica X1 version of RAW (Adobe DNG) that were processed with Capture One Pro 6 and Photoshop CS5. The main difference between these two images was the white balance). The final image was converted to B&W using Nik Silver Efex Pro.

Let me know which you like best.

Storm Departing -- Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Out of the camera JPG. (David J. Mathre)
Storm Departing — Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Out of the camera JPG.
Storm Departing -- Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CS5. Converted to BW with Nik Silver Efex Pro 2. (David J. Mathre)
Storm Departing — Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CS5. Converted to BW with Nik Silver Efex Pro 2.
Storm Departing -- Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CS5. Converted to BW with Nik Silver Efex Pro 2. (David J. Mathre)
Storm Departing — Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CS5. Converted to BW with Nik Silver Efex Pro 2.
Storm Departing -- Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CS5. Converted to BW with Nik Silver Efex Pro 2. (David J. Mathre)
Storm Departing — Backyard Summer Landscape. Image taken with a Leica X1 (ISO 100, 24 mm, f/5.6. 1/800 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CS5. Converted to BW with Nik Silver Efex Pro 2.

One-Year Ago (05-August-2010) — California

Gone to See America August 2010 Road Trip. Day 5: Eastern Sierra Photography Workshop with Michael Mariant.

Red Canyon Petroglyphs. HDR Examples (HDR Express, Photomatix Pro, NIK HDR Efex, Photoshop CS5 HDR).  A year ago, I attended the Eastern Sierra Photography Workshop led by Michael Mariant. I knew I was going to be late traveling from work in South San Francisco. Michael gave me the GPS coordinates to meet at the Red Canyon Petroglyphs. The following  is an image of the petroglypths processed with Capture One Pro, Topaz, Nik Color Efex Pro, and Photoshop CS5. This is followed by a series comparing different HDR programs (HDR , Photomatix Pro, Nik HDR Efex Pro, Photoshop CS5 HDR Pro)

Let me know which if any HDR images you like or don’t like.

Red Canyon Petroglyphs. Image taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, 1/160 sec). Raw image processed using Capture One Pro 6, Topaz Detail 2 (color jump), Nik Color Efex Pro, Nik Define 2, Photoshop CS5 (David J Mathre)
Red Canyon Petroglyphs. Image taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, 1/160 sec). Raw image processed using Capture One Pro 6, Topaz Detail 2 (color jump), Nik Color Efex Pro, Nik Define 2, Photoshop CS5
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using HDR Express (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using HDR Express
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast) (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast strong) (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast strong)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using NIK HDR Efex Pro (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using NIK HDR Efex Pro
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photoshop CS5 (photorealistic) (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photoshop CS5 (photorealistic)

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Previous Images from this Day in the Past:

Red Canyon Petroglyphs. Nikonians Eastern Sierra Photography Workshop — Day 1 (05-August-2010).

 

Monday (21-March-2011) — California

Gone to See California. Day 2: Working in South San Francisco.

A couple of images from my office while working in San Francisco on the first day of Spring. Although there was heavy rain last night and this morning, the sky cleared later in the day. The site where I am working near the UCSF campus looks over a large construction site for a new Hospital. I needed to work on the white balance since the image was taken through a window tinted green (auto white balance within the camera 6008 K) . The 2nd version has the white balance corrected (6514 K). Later on when I returned to my hotel I saw this sailboat at anchor in Oyster Bay.

View of Hospital Construction Site Looking Toward San Francisco Bay. Image taken with a Leica X1 (ISO 100, 24 mm, f/11, 1/160 sec). (David J Mathre)
View of Hospital Construction Site Looking Toward San Francisco Bay. Image taken with a Leica X1 (ISO 100, 24 mm, f/11, 1/160 sec).
View of Hospital Construction Site Looking Toward San Francisco Bay. Image taken with a Leica X1 (ISO 100, 24 mm, f/11, 1/160 sec). (David J Mathre)
View of Hospital Construction Site Looking Toward San Francisco Bay. Image taken with a Leica X1 (ISO 100, 24 mm, f/11, 1/160 sec).
Sailboat at Anchor in Oyster Bay. Image taken with a Leica X1 (ISO 100, 24 mm, f/8, 1/320 sec). (David J Mathre)
Sailboat at Anchor in Oyster Bay. Image taken with a Leica X1 (ISO 100, 24 mm, f/8, 1/320 sec).

Thursday (23-December-2010) — Florida

Gone to See Florida — 2010 Road Trip. Day 3: Sunshine Skyway Bridge at Dawn from Fort De Soto Park

Sunshine Skyway Bridge Panorama at Dawn from Fort De Soto Park. St. Petersburg, Florida. Composite of 3 vertical images taken with an Nikon D3s and 45 mm f/2.8 PC-E lens (ISO 200, f/11, 0.5 sec). Images processed with DxO, AutoPano Giga, Photoshop CS5, and Topaz Define. (David J Mathre)
Sunshine Skyway Bridge Panorama at Dawn from Fort De Soto Park. St. Petersburg, Florida. Composite of 3 vertical images taken with an Nikon D3s camera and 45 mm f/2.8 PC-E lens (ISO 200, f/11, 0.5 sec). Images processed with DxO, AutoPano Giga, Photoshop CS5, and Topaz Define. (David J Mathre)
Sunshine Skyway Bridge Panorama at Dawn from Fort Desoto Park. St. Petersburg, Florida. Composite of 3 vertical images taken with an Nikon D3s and 45 mm f/2.8 PC-E lens (ISO 200, f/11, 0.5 sec). Images processed with DxO,PTGui Pro, Photoshop CS5, and Nik Silver Efex Pro (David J Mathre)
Sunshine Skyway Bridge Panorama at Dawn from Fort De Soto Park. St. Petersburg, Florida. Composite of 3 vertical images taken with an Nikon D3s and 45 mm f/2.8 PC-E lens (ISO 200, f/11, 0.5 sec). Images processed with DxO, PTGui Pro, Photoshop CS5, and Nik Silver Efex Pro (David J Mathre)