Five-Years Ago (05-August-2013) — Iceland

Gone to See Iceland 2013 Photography Safari with Mike Hagen. Day 7: Cape Ingolfshofdi (ingólfshöfði) Along the South East Coast.

Morning Reflections in Iceland on the way to Cape Ingolfshofdi (ingólfshöfði). A private nature preserve on an isolated headland on the coast half way between Skaftafell in Vatnajokull National Park and Jökulsárlón ice lagoon in Iceland. Composite of 3 images taken with a Leica X2 camera (ISO 100, 24 mm, f/11, 1/640 sec) combined using AutoPano Giga Pro.

Morning Reflections in Iceland . Composite of 3 images taken with a Leica X2 camera (ISO 100, 24 mm, f/11, 1/640 sec) combined using AutoPano Giga Pro. Nikonians Academy Iceland Photo Workshop with Mike Hagen and Tim Vollmer. (David J Mathre)
Morning Reflections in Iceland. Composite of 3 images taken with a Leica X2 camera (ISO 100, 24 mm, f/11, 1/640 sec) combined using AutoPano Giga Pro. (David J Mathre)

Three-Years Ago (13-March-2015) — Chile

Gone to See Patagonia 2015 Photography Tour with Thom Hogan. Day 12: Lago Grey, Torres del Paine National Park, Chile.

We spent morning in and around Hotel Lago Grey. In the afternoon we took the bus to find views of Torres del Paine. The panorama views were created as composites of multiple images using AutoPano Giga Pro. Best viewed in full screen mode.






Individual images from any of the above slide shows can be viewed here.

Three-Years Ago (10-March-2015) — Argentina

Gone to See Patagonia 2015 Photography Tour with Thom Hogan. Day 9: Estancia Cristina, Argentina.

I went for an early morning walkabout at Estancia Cristina and was rewarded by the sky being lit up at dawn. I am always amazed by the colors of the clouds at dawn and dusk in Patagonia.

Dawn in Patagonia at Estancia Christina. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2.8, 1/30 sec). (David J Mathre)
Dawn in Patagonia at Estancia Cristina. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2.8, 1/30 sec). (David J Mathre)
Dawn in Patagonia at Estancia Christina. Image taken with a Fuji X-T1 camera and Zeiss 12 mm f/2.8 lens (ISO 200, 12 mm, f/2.8, 1/60 sec). (David J Mathre)
Dawn in Patagonia at Estancia Cristina. Image taken with a Fuji X-T1 camera and Zeiss 12 mm f/2.8 lens (ISO 200, 12 mm, f/2.8, 1/60 sec). (David J Mathre)

Thursday (08-March-2018) — New Jersey

Late Winter Backyard Morning Nature in New Jersey.

Dawn colors as viewed from my rear patio door. The snow is nearly knee-deep. It will be a few days before this all melts. Composite of six images taken with a Nikon D810a camera and 14-24 mm f/2.8 lens. The colors in the eastern sky disappeared within a few minutes. Four trees, lots of branches and my last Rhododendron were lost due to the heavy snow and strong winds. During the rest of the day, there were several power glitches. A little after 23:00 the power went out completely for about an hour while the PSE&G crews reconnected some of the neighbors houses.

Dawn view out my patio door after the Nor'easter storm. Composite of six images taken with a Nikon D810a camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/5.6, 1/30 sec). Raw images processed with Capture One Pro and AutoPano Giga Pro. (David J Mathre)
Dawn view out my patio door after the Nor’easter storm. Composite of six images taken with a Nikon D810a camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/5.6, 1/30 sec). Raw images processed with Capture One Pro and AutoPano Giga Pro. (David J Mathre)

Saturday (03-March-2018) — New Jersey

Backyard Winter Nature in New Jersey.

It took all night before the power line burned through the tree. I was fortunate that my power was restored after about 2 hours. Those further down the street had to wait. Later on, as the sun was setting the western sky lit up. It looks like light from the sun came in under some remnant clouds from the Nor’easter just before setting. I don’t really have a good western view from my backyard. I ended up going all the way back to the section I have cleared for a wildflower meadow. After all the rain and snow for the storm the section is now a muddy field. The sunset panorama is a composite of six images taken with a Leica CL camera and stitched together using AutoPano Giga Pro. Best viewed in full screen mode.

Tree after being burned by power line. Image taken with a Leica TL2 camera and 55-135 mm lens (ISO 100, 133 mm, f/4.5, 1/400 sec). (David J Mathre)
Tree after being burned by power line. Image taken with a Leica TL2 camera and 55-135 mm lens (ISO 100, 133 mm, f/4.5, 1/400 sec). (David J Mathre)
Colored Clouds at Sunset. Composite of six images taken with a Leica CL camera and 18 mm f/2.8 lens (ISO 100, 18 mm, f/2.8, 1/25 sec). Raw images processed with Capture One Pro and the composite created using AutoPano Giga Pro. (David J Mathre)
Colored Clouds at Sunset. Composite of six images taken with a Leica CL camera and 18 mm f/2.8 lens (ISO 100, 18 mm, f/2.8, 1/25 sec). Raw images processed with Capture One Pro and the composite created using AutoPano Giga Pro. (David J Mathre)