Thirteen-Years Ago (16-September-2006) — Utah

Gone to See America 2006 Driving Tour. Day 18: Newspaper Rock National Historic Site.

While on the way to Arches National Park I stopped at Newspaper Rock National Historic Site. Over the years there has been some graffiti added, but the original Petroglyphs are still amazing. Images taken with a Nikon D200 camera and 18-70 mm kit lens.  The original jpg images have been reprocessed with Topaz JPG to Raw and Capture One Pro.

Newspaper Rock. National Historical Site. Image taken with a Nikon D200 camera and 18-70 mm kit lens. (David J Mathre)
Newspaper Rock. National Historical Site. Composite of five images taken with a Nikon D200 camera and 18-70 mm kit lens. (David J Mathre)


Click on the above image to access my PhotoShelter Gallery with the individual images in the following slideshow.


Six-Years Ago (05-August-2010) — California

Gone to See America August 2010 Road Trip. Day 5: Eastern Sierra Photography Workshop with Michael Mariant.

Red Canyon Petroglyphs. HDR Composite of 5 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/2, various). HDR Processed using NIK HDR Efex Pro.

Notice how some folks have been chipping away at the rock.

Red Canyon Petroglyphs. HDR Composite of 5 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/2, various). HDR Processed using NIK HDR Efex Pro (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 5 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/2, various). (David J Mathre)

One-Year Ago (05-August-2010) — California

Gone to See America August 2010 Road Trip. Day 5: Eastern Sierra Photography Workshop with Michael Mariant.

Red Canyon Petroglyphs. HDR Examples (HDR Express, Photomatix Pro, NIK HDR Efex, Photoshop CS5 HDR).  A year ago, I attended the Eastern Sierra Photography Workshop led by Michael Mariant. I knew I was going to be late traveling from work in South San Francisco. Michael gave me the GPS coordinates to meet at the Red Canyon Petroglyphs. The following  is an image of the petroglypths processed with Capture One Pro, Topaz, Nik Color Efex Pro, and Photoshop CS5. This is followed by a series comparing different HDR programs (HDR , Photomatix Pro, Nik HDR Efex Pro, Photoshop CS5 HDR Pro)

Let me know which if any HDR images you like or don’t like.

Red Canyon Petroglyphs. Image taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, 1/160 sec). Raw image processed using Capture One Pro 6, Topaz Detail 2 (color jump), Nik Color Efex Pro, Nik Define 2, Photoshop CS5 (David J Mathre)
Red Canyon Petroglyphs. Image taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, 1/160 sec). Raw image processed using Capture One Pro 6, Topaz Detail 2 (color jump), Nik Color Efex Pro, Nik Define 2, Photoshop CS5
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using HDR Express (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using HDR Express
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast) (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast strong) (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photomatix Pro (tonal contrast strong)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using NIK HDR Efex Pro (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using NIK HDR Efex Pro
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photoshop CS5 (photorealistic) (David J Mathre)
Red Canyon Petroglyphs. HDR Composite of 7 images taken with a Nikon D3s and 24 mm f/1.4G lens (ISO 200, 24 mm, f/5.6, various). HDR Processed using Photoshop CS5 (photorealistic)

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Previous Images from this Day in the Past:

Red Canyon Petroglyphs. Nikonians Eastern Sierra Photography Workshop — Day 1 (05-August-2010).

 

Wednesday (27-February-2008) — Utah

Elderhostel “Photography in the Southwest” Workshop Day 3. Sand Island Petroglyphs.

The Elderhostel “Photography in the Southwest” workshop was based at Kelly Place  B&B just outside of Cortez Colorado. This is a great location in McElmo Canyon, quiet and remote. It borders Canyon of the Ancients National Monument. The following images of Petroglyphs and modern graffiti were taken at the Sand Island Petroglyphs Bureau of Land Management (BLM) site in Utah.

Sand Island Petroglyphs. Image taken with a Nikon D3 and 70-200 mm f/2.8 VR lens (ISO 200, 200 mm, f/11, 1/320 sec) (David J Mathre)
Sand Island Petroglyphs. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 200 mm, f/11, 1/320 sec)
Sand Island Petroglyphs. Image taken with a Nikon D3 and 70-200 mm f/2.8 VR lens (ISO 200, 200 mm, f/11, 1/320 sec) (David J Mathre)
Sand Island Petroglyphs. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 200 mm, f/11, 1/320 sec)
Sand Island Petroglyphs + Modern Graffiti. Image taken with a Nikon D3 and 70-200 mm f/2.8 VR lens (ISO 200, 70 mm, f/11, 1/250 sec) (David J Mathre)
Sand Island Petroglyphs + Modern Graffiti. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 70 mm, f/11, 1/250 sec)
Sand Island Petroglyphs + Modern Graffiti. Image taken with a Nikon D3 and 70-200 mm f/2.8 VR lens (ISO 200, 116 mm, f/11, 1/250 sec) (David J Mathre)
“Custer Died For Your Sins” Sand Island Petroglyphs + Modern Graffiti. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 116 mm, f/11, 1/250 sec)
Sand Island Petroglyphs. Image taken with a Nikon D3 and 70-200 mm f/2.8 VR lens (ISO 200, 200 mm, f/11, 1/250 sec) (David J Mathre)
Sand Island Petroglyphs. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 200 mm, f/11, 1/250 sec)