Three-Years Ago (13-March-2014) — Iceland

Gone to See Iceland 2014 – Winter Photography Workshop. Day 5: South East Coast.

East Coast Icelandic Sunrise from Hotel Smylabjörg. First one is a HDR composite of two images taken with a Fuji X-T1 camera and Zeiss 32 mm f/1.8 lens. The second is a sunrise image showing that the Hotel is on a working farm with plastic covered bales of hay  and was taken with a Nikon Df camera and 24 mm f/1.4 lens. The third image is the tractor used to move the hay bales.

East Coast Icelandic Sunrise from Hotel Smylabjörg. HDR Composite of two images taken with a Fuji X-T1 camera and Zeiss 32 mm f/1.8 lens (ISO 200, 32 mm, f/16) (David J Mathre)
East Coast Icelandic Sunrise from Hotel Smylabjörg. HDR Composite of two images taken with a Fuji X-T1 camera and Zeiss 32 mm f/1.8 lens (ISO 200, 32 mm, f/16) (David J Mathre)
Plastic Covered Hay Bales at the Smylabjörg Farm and Guesthouse on the East Coast of Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/500 sec). (David J Mathre)
Plastic Covered Hay Bales at the Smylabjörg Farm and Guesthouse on the East Coast of Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/500 sec). (David J Mathre)
Early Morning View of a Valtra Tractor at the Smyrlabjorg Farm in Eastern Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/250 sec) (David J Mathre)
Early Morning View of a Valtra Tractor at the Smyrlabjorg Farm in Eastern Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/250 sec) (David J Mathre)

I am not providing the name or recommendation for the workshop leaders for this trip. One of the reasons I signed up  was the opportunity to photograph Northern Lights from Iceland. In 2013 I got some great images of the Aurora Borealis in Tromsö, Norway and hoped to do the same in Iceland. I arrived in Reykjavik, Iceland two days before the workshop and arranged a private tour with TripsByLocals.com to go Aurora Hunting. It didn’t look promising when we left the hotel (snowing an hour earlier). For the first 2 hours the sky remained mostly overcast. We then found a spot where the sky started to clear, and started to see the Aurora. It was cold and windy, but I found a place behind the van where I could set up a camera on a tripod. I was able to get 80 images which I used to create a time-lapsed video. The moon was almost full, and lit up the snow covered lava field in the foreground. It turned out that this was my only opportunity to get some good images of the Aurora on this trip. My father commented that it was not as good as the images I got in Tromsö last year. The weather for the Iceland workshop did not cooperate – lots of rain and snow with significant cloud cover. On the first day of the workshop we were supposed to fly from Reykjavik to Höfn but the weather in Höfn didn’t cooperate (even though it was sunny in Reykjavik). After spending some extra time waiting in the Reykjavik airport, it was decided that we would fly to Egilsstadir and take a several hour bus ride to Höfn. On the positive side, I got to see some of the Fjords on the east coast of Iceland, and on the negative side I lost a camera battery on the bus ride between Egilsstadir and Höfn when we had to change from a big 55 passenger bus to a smaller van. Once we got to the airport in Höfn we transferred to the van that would be our transportation for the rest of the workshop. Our first stop was the black sand beach on the coast next to the Jökulsárlón glacial lagoon. Every day when the tide goes out, ice that calved from the glacier in the lagoon goes out to sea, then when the tide comes in, the ice lands on the black sand beach. The makes for some great photo opportunities. However, as we arrived the rain started. We could only stay out for about 15 minutes before getting soaked in the cold and windy rain. We then went to Hotel Smyrlabjörg. I stayed at the same hotel last summer. The Icelandic food served at dinner was outstanding. When I went to sleep it was still raining. During the night the wind increased to the point it sounded like a train was passing outside my window. At about 01:30 AM I woke up and could see some stars in the sky outside my window. I went outside to get a look. It was still very windy. Windy to the point that I could barely stand up. I took a couple of pictures, and could see that the Northern Lights were starting – but there was no way I would be able to stay out in the gale force winds. So I went back to bed. The next morning at breakfast our workshop leader was gushing about how great the Aurora was between 03:30 AM and 05:30 AM. Unfortunately, he didn’t bother to wake the majority of the workshop participants even though he stayed out taking images for his portfolio. There were lots of apologies and excuses that he didn’t know what rooms we were in, but we were all staying in adjacent rooms. This turned out to be the one and only night that the Aurora were visible during the workshop. I was lucky to get the one night before the workshop to see and photograph the Aurora. Most of the others that spent thousands of dollars to see and photograph the Northern Lights as part of the workshop were very disappointed.

Two-Years Ago (12-March-2015) — Argentina

Gone to See Patagonia 2015 Photography Tour with Thom Hogan. Day 11: Calafate, Argentina.

Dawn in El Calafate, Argentina. Sometimes you don’t get the mountains in the background while visiting Patagonia, but the colors were intense. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/8 sec). Raw image processed with Capture One Pro 8 and Photoshop CC 2014.

Dawn in El Calafate, Argentina. Sometimes you don't get the mountains in the background while visiting Patagonia, but the colors were intense. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/8 sec). Raw image processed with Capture One Pro 8 and Photoshop CC 2014. (David J Mathre)
Dawn in El Calafate, Argentina. Sometimes you don’t get the mountains in the background while visiting Patagonia, but the colors were intense. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/8 sec). Raw image processed with Capture One Pro 8 and Photoshop CC 2014. (David J Mathre)

Two-Years Ago (10-March-2015) — Argentina

Gone to See Patagonia 2015 Photography Tour with Thom Hogan. Day 9: Estancia Cristina, Argentina.

Early in the morning I went for a walkabout at Estancia Cristina. I was rewarded by the sky being lit up at dawn. I am always amazed by the colors of the clouds at dawn and dusk in Patagonia. Later in the morning we went for a horse ride to the glacier. Here they required helmets when riding the horses (which was good). A few images of silhouettes with lenticular clouds, and one of a rainbow over the glacier.

Dawn in Patagonia at Estancia Christina. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2.8, 1/30 sec). (David J Mathre)
Dawn in Patagonia at Estancia Cristina. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2.8, 1/30 sec). (David J Mathre)
Dawn in Patagonia at Estancia Christina. Image taken with a Fuji X-T1 camera and Zeiss 12 mm f/2.8 lens (ISO 200, 12 mm, f/2.8, 1/60 sec). (David J Mathre)
Dawn in Patagonia at Estancia Cristina. Image taken with a Fuji X-T1 camera and Zeiss 12 mm f/2.8 lens (ISO 200, 12 mm, f/2.8, 1/60 sec). (David J Mathre)
About to go horse ride in Patagonia from Estancia Christina. Image taken with a Fuji X-T1 camera and Zeiss 32 mm lens (ISO 200, 32 mm, f/11, 1/250 sec). (David J Mathre)
About to go horse ride in Patagonia from Estancia Cristina. Image taken with a Fuji X-T1 camera and Zeiss 32 mm lens (ISO 200, 32 mm, f/11, 1/250 sec). (David J Mathre)
Crossing a glacier stream on a horse in Patagonia. Image taken with a Fuji X-T1 camera and Zeiss 32 mm lens (ISO 200, 32 mm, f/11, 1/80 sec). (David J Mathre)
Crossing a glacier stream on a horse in Patagonia. Image taken with a Fuji X-T1 camera and Zeiss 32 mm lens (ISO 200, 32 mm, f/11, 1/80 sec). (David J Mathre)
Silhouette and selfie from a horse in Patagonia. Image taken with a Fuji X-T1 camera and Zeiss 32 mm lens (ISO 200, 32 mm, f/11, 1/120 sec). (David J Mathre)
Silhouette and selfie from a horse in Patagonia. Image taken with a Fuji X-T1 camera and Zeiss 32 mm lens (ISO 200, 32 mm, f/11, 1/120 sec). (David J Mathre)
Silhouette and lenticular clouds in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/16, 1/500 sec). (David J Mathre)
Silhouette and lenticular clouds in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/16, 1/500 sec). (David J Mathre)
Silhouette and lenticular clouds in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/16, 1/250 sec). (David J Mathre)
Silhouette and lenticular clouds in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/16, 1/250 sec). (David J Mathre)
Silhouette and lenticular clouds in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/11, 1/250 sec). (David J Mathre)
Silhouette and lenticular clouds in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/11, 1/250 sec). (David J Mathre)
Rainbow over a glacier in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/16, 1/500 sec). (David J Mathre)
Rainbow over Upsala glacier in Patagonia. Image taken with a Fuji X-T1 camera and 55-200 mm lens (ISO 200, 55 mm, f/16, 1/500 sec). (David J Mathre)

Friday (03-March-2017) — New Jersey

Backyard Winter Nature in New Jersey.

The temperatures dropped from nearly 70°F (~20°C) yesterday to below freezing most of today. It was sunny most of the day, so the solar panels were generating electricity (50.3 kWh). Later in the afternoon some clouds rolled in, and we had a quick snow storm. I went out to get some pictures of the flowers that recently bloomed across the street with the recent snow before the sun went down. I also got some pictures of a turkey vulture soaring above my backyard in the late afternoon sun.

Although my neighbor got lots of maple sap from his trees this year, the tap he put in my maple tree didn’t produce much. Since it did get cold again, I will drill a new hole and see if I get anything. Maybe, my maple tree feels it already gave too much to the cicadas that live for 13 or 17 years under the tree.

After the storm passed, some clouds lit up as the sun went down.

Daffodils after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/200 sec). (David J Mathre)
Daffodils after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/200 sec). (David J Mathre)
Twin daffodils after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/125 sec). (David J Mathre)
Twin daffodils after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/125 sec). (David J Mathre)
Daffodil bloom after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/100 sec). (David J Mathre)
Daffodil bloom after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/100 sec). (David J Mathre)
Snow drops after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/250 sec). (David J Mathre)
Snow drops after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/250 sec). (David J Mathre)
Early blooming purple crocuses after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/160 sec). (David J Mathre)
Early blooming purple crocuses after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/160 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/800 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/800 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/640 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/640 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/500 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/500 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/500 sec). (David J Mathre)
Turkey vulture soaring in the late afternoon sun. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/500 sec). (David J Mathre)
Maple sap collection bucket after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/250 sec). (David J Mathre)
Maple sap collection bucket after a quick snowfall. Winter nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 200 mm, f/2.8, 1/250 sec). (David J Mathre)
South facing solar panels with a light coating of snow. Winter Nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 70 mm, f/2.8, 1/400 sec). (David J Mathre)
South facing solar panels with a light coating of snow. Winter Nature in New Jersey. Image taken with a Nikon Df camera and 70-200 mm f/2.8 lens (ISO 400, 70 mm, f/2.8, 1/400 sec). (David J Mathre)
Colorful clouds at sunset after a quick snowstorm. Winter Nature in New Jersey. Image taken with a Leica T camera and 18-56 mm lens (ISO 100, 29 mm, f/4.4, 1/125 sec) (David J Mathre)
Colorful clouds at sunset after a quick snowstorm. Winter Nature in New Jersey. Image taken with a Leica T camera and 18-56 mm lens (ISO 100, 29 mm, f/4.4, 1/125 sec) (David J Mathre)
Backyard tree at sunset. Winter Nature in New Jersey. Image taken with a Leica T camera and 18-56 mm lens (ISO 100, 18 mm, f/3.5, 1/200 sec) (David J Mathre)
Backyard tree at sunset. Winter Nature in New Jersey. Image taken with a Leica T camera and 18-56 mm lens (ISO 100, 18 mm, f/3.5, 1/200 sec) (David J Mathre)

Nine-Years Ago (01-March-2008) — Colorado

Elderhostel “Photography in the Southwest” Workshop Day 5. Kelly Place.

The Elderhostel/Road Scholar photography workshop that I attended with my father and brother ended the previous evening. Before leaving the Kelly Place B&B to drive back to Boulder, Colorado I took one last image of the “Sleeping Ute Mountain” from the patio at dawn.

Sleeping Ute Mountain at dawn from the back patio at Kelly's Place, near Cortez. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 35 mm, f/11, 1/30 sec). (David J Mathre)
Sleeping Ute Mountain at dawn from the back patio at Kelly’s Place, near Cortez. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 35 mm, f/11, 1/30 sec). (David J Mathre)

All week I had been intrigued by this wooden flying goddess that was hanging from the ceiling of the meeting room. [Maybe Javanese, Sundanese, Balinese, pre-Hindu Dewi Sri, or Shridevi. Or An Apsara (Apsarasa) Hindu or Buddhist flying spirit???]  I spent a little bit of time trying to get an image that I liked. The lighting wasn’t good so did some experimenting with a flash.

Flying goddess and shadow. Workshop space at Kelly's Place, near Cortez. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 70 mm, f/5.6, 1/125 sec) and flash. Maybe Javanese, Sundanese, Balinese, pre-Hindu Dewi Sri, or Shridevi. Or An Apsara (Apsarasa) Hindu or Buddhist flying spirit. (David J Mathre)
Flying goddess and shadow.  Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 70 mm, f/5.6, 1/125 sec) and flash. (David J Mathre)
Flying goddess and shadow. Workshop space at Kelly's Place, near Cortez. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 70 mm, f/5.6, 1/125 sec) and flash. Maybe Javanese, Sundanese, Balinese, pre-Hindu Dewi Sri, or Shridevi. Or An Apsara (Apsarasa) Hindu or Buddhist flying spirit. (David J Mathre)
Flying goddess.  Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 70 mm, f/5.6, 1/125 sec) and flash.  (David J Mathre)