Two-Years Ago (19-October-2018) — Portugal

Gone to See Portugal. Street Photography Workshop with Steve Simon. Day 5: Lisbon, Portugal.

While walking around the LX Factory (a former fabric company transformed into a hipster hangout with graffiti, cafes and boutique shops) we came upon a commercial photographer shooting a model. As soon as he saw us with cameras we were chased away. A bit later I happened to catch the model talking on her cell phone.

LZ Factory. (David J Mathre)
LZ Factory Back Street – Little Planet View. Composite of 25 images taken with a Nikon D850 camera and 8-15 mm fisheye lens (ISO 110, 15 mm, f/8, 1/320 sec). Raw images processed with Capture One Pro and stitched together with AutoPano Giga. (David J Mathre)
Photographer. (David J Mathre)
Commercial Photographer. Afternoon Street Photography in the LX Factory. Image taken with a Nikon D850 camera and 8-15 mm fisheye lens. (David J Mathre)
Model. (David J Mathre)
Model. Afternoon Street Photography in the LX Factory. Image taken with a Nikon D850 camera and 8-15 mm fisheye lens. (David J Mathre)

Daily Electric Energy Used (41.1 kWh) from Sense. Daily Solar Electric Energy Produced (28.1 kWh) from Sense and SolSystems. Sun in the morning, some clouds in the afternoon. Geothermal HVAC system turned on to heat the house. A deficit of 18.9 kWh.

Saturday (30-March-2013) — New Jersey

Backyard Spring Night Sky in New Jersey. Wide Angle Lens Options for Nikon 1 Cameras.

One of the issues I have had with the Nikon 1 “mirrorless” cameras is the lack of wide-angle lens options. The widest angle available with the initial set of lenses was 10 mm f/2.8 prime. This has a 77° field of view (FOV) equivalent to a 27 mm lens on a full-frame (FX) DSLR camera. I like taking wide-angle panorama landscape images when traveling. In order to do this with the Nikon 1 camera requires taking several images and then stitching them together during post-processing. Before going to Norway, I saw a note on the internet that the Olympus FCON-T01 Fisheye converter uses the same 40.5 mm thread that the Nikon 1 10 mm f/2.8 lens uses. The 0.74x adapter increases the FOV to something like 20 mm on a FX DSLR camera. I took this combo with me to Norway, and published an image of Greenland from 36,000 feet using the combo. (19-February-2013).

Since returning from Norway, Nikon released a new wide-angle telephoto lens for Nikon 1 cameras – the 6.7 – 13 mm f/3.5-5.6. At 6.7 mm this lens has a 100° FOV equivalent to a 18 mm lens on a FX DSLR camera. The following three images were taken with the Nikon 1 V2 camera 1) with the 10 mm f/2.8 lens; 2) with the 10 mm f/2.8 lens and the Olympus fish-eye converter; and 3) with the 6.7-13 mm lens at 6.7 mm. The wide-angle image with the 6.7 mm does not have the fish-eye curvature effect. Indeed, when in Norway I found that when I used the Olympus lens I would need to keep the horizon right at the middle of the image. I think that I will be adding the 6.7-13 mm lens to my light-weight travel kit.

Note: Nikon changed the threading on the 6.7-13 mm lens to 52 mm, so I can’t use the Olympus adapter with this lens 😉

New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 and 10 mm f/2.8 lens (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 10 mm f/2.8 lens (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 and 10 mm f/2.8 lens + Olympus Fisheye adapter (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 10 mm f/2.8 lens + Olympus Fisheye adapter (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 and 6.7-13 mm lens (ISO 160, 6.7 mm, f/3.5, 20 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 6.7-13 mm lens (ISO 160, 6.7 mm, f/3.5, 20 sec). (David J Mathre)