Six-Years Ago (13-August-2010) — South Dakota

Gone to See America August 2010 Road Trip. Day 13: Bismark, North Dakota to Waterloo, Iowa.

Midwest Summer Sky Panorama. Rest Area along Interstate 29 in South Dakota. Composite of 9 images taken with a Nikon D3x and 24 mm f/1.4G lens (ISO 100, 24 mm, f/11, 1/800 sec) using AutoPano Giga Pro. (GPS 45° 54′ 29.13 N, 96° 51′ 37.24 W).

Midwest Summer Sky Panorama. Rest Area along Interstate 29 in South Dakota. Composite of 9 images taken with a Nikon D3x and 24 mm f/1.4G lens (ISO 100, 24 mm, f/11, 1/800 sec) using AutoPano Giga Pro. (GPS 45° 54' 29.13 N, 96° 51' 37.24 W). (David J Mathre)
Midwest Summer Sky Panorama. Rest Area along Interstate 29 in South Dakota. Composite of 9 images taken with a Nikon D3x and 24 mm f/1.4G lens (ISO 100, 24 mm, f/11, 1/800 sec) using AutoPano Giga Pro. David J Mathre)


Click on the above image to access the individual images in the slideshow.


Six-Years Ago (12-August-2010) — North Dakota

Gone to See America August 2010 Road Trip. Day 12: Casper, Wyoming to Bismark, North Dakota.

Painted Canyon Overlook Panorama. Theodore Roosevelt National Park. Composite of 6 images taken with a Nikon D3x camera and 24 mm f/1.4 lens (ISO 100, 24 mm, f/16, 1/50 sec). Raw image processed with Capture One Pro and composite generated using AutoPano Giga Pro.

Painted Canyon Overlook Panorama. Theodore Roosevelt National Park. Composite of 6 images taken with a Nikon D3x camera and 24 mm f/1.4 lens (ISO 100, 24 mm, f/16, 1/50 sec). Raw image processed with Capture One Pro and composite generated using AutoPano Giga Pro. (David J Mathre)
Painted Canyon Overlook Panorama. Theodore Roosevelt National Park. Composite of 6 images taken with a Nikon D3x camera and 24 mm f/1.4 lens (ISO 100, 24 mm, f/16, 1/50 sec). (David J Mathre)


Click on the above image to access the individual images in the slideshow (and used to created the composite panorama image).


Six-Years Ago (11-August-2010) — Utah

Gone to See America August 2010 Road Trip. Day 11: Park City, Utah, to Casper, Wyoming (Flaming Gorge).

Mustang Ridge Panorama. Flaming Gorge, Utah. Composite of 10 images taken with a Nikon D3s camera and 45 mm f/2.8 PC-E lens (ISO 200, 45 mm, f/16, 1/100 sec). Raw images processed with Capture One Pro and composite processed with AutoPano Giga Pro.

Mustang Ridge Panorama. Flaming Gorge, Utah. Composite of 10 images taken with a Nikon D3s camera and 45 mm f/2.8 PC-E lens (ISO 200, 45 mm, f/16, 1/100 sec). Raw images processed with Capture One Pro and composite processed with AutoPano Giga Pro. (David J Mathre)
Mustang Ridge Panorama. Flaming Gorge, Utah. Composite of 10 images taken with a Nikon D3s camera and 45 mm f/2.8 PC-E lens (ISO 200, 45 mm, f/16, 1/100 sec). (David J Mathre)

Saturday (30-March-2013) — New Jersey

Backyard Spring Night Sky in New Jersey. Wide Angle Lens Options for Nikon 1 Cameras.

One of the issues I have had with the Nikon 1 “mirrorless” cameras is the lack of wide-angle lens options. The widest angle available with the initial set of lenses was 10 mm f/2.8 prime. This has a 77° field of view (FOV) equivalent to a 27 mm lens on a full-frame (FX) DSLR camera. I like taking wide-angle panorama landscape images when traveling. In order to do this with the Nikon 1 camera requires taking several images and then stitching them together during post-processing. Before going to Norway, I saw a note on the internet that the Olympus FCON-T01 Fisheye converter uses the same 40.5 mm thread that the Nikon 1 10 mm f/2.8 lens uses. The 0.74x adapter increases the FOV to something like 20 mm on a FX DSLR camera. I took this combo with me to Norway, and published an image of Greenland from 36,000 feet using the combo. (19-February-2013).

Since returning from Norway, Nikon released a new wide-angle telephoto lens for Nikon 1 cameras – the 6.7 – 13 mm f/3.5-5.6. At 6.7 mm this lens has a 100° FOV equivalent to a 18 mm lens on a FX DSLR camera. The following three images were taken with the Nikon 1 V2 camera 1) with the 10 mm f/2.8 lens; 2) with the 10 mm f/2.8 lens and the Olympus fish-eye converter; and 3) with the 6.7-13 mm lens at 6.7 mm. The wide-angle image with the 6.7 mm does not have the fish-eye curvature effect. Indeed, when in Norway I found that when I used the Olympus lens I would need to keep the horizon right at the middle of the image. I think that I will be adding the 6.7-13 mm lens to my light-weight travel kit.

Note: Nikon changed the threading on the 6.7-13 mm lens to 52 mm, so I can’t use the Olympus adapter with this lens 😉

New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 and 10 mm f/2.8 lens (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 10 mm f/2.8 lens (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 and 10 mm f/2.8 lens + Olympus Fisheye adapter (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 10 mm f/2.8 lens + Olympus Fisheye adapter (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 and 6.7-13 mm lens (ISO 160, 6.7 mm, f/3.5, 20 sec). (David J Mathre)
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 6.7-13 mm lens (ISO 160, 6.7 mm, f/3.5, 20 sec). (David J Mathre)

Six-Years Ago (05-November-2006) — New Jeresy

Backyard Autumn Night Sky in New Jersey.

Moonlit night sky with the clouds rolling in.


Four images taken with a Nikon D2xs and 17-55 mm f/2.8 lens (ISO 100, 17 mm, f/2.8, 6 sec)