B&W - David Mathre Photography

Wednesday (05-February-2014) — Florida

Gone to See America 2014 Road Trip Day 5. Merritt Island National Wildlife Refuge.

Great Egret coming in to visit a Snowy Egret. Merritt Island National Wildlife Refuge along Black Point Wildlife Drive. Image taken with a Nikon Df camera and 300 mm f/4G lens (ISO 140, 300 mm, f/4, 1/1250 sec). Raw image processed and converted to B&W with Capture One Pro 7.

Great Egret Coming in to Visit a Snowy Egret. Merritt Island National Wildlife Refuge in Florida. Image taken with a Nikon Df camera and 300 mm f/4G lens (ISO 140, 300 mm, f/4, 1/1250 sec). Raw image processed and converted to B&W with Capture One Pro 7. (David J Mathre)

Tuesday (04-February-2014) — Florida

Gone to See America 2014 Road Trip. Day 4: Merritt Island National Wildlife Refuge.

Red-winged blackbird on a perch above a large spider web. Merritt Island National Wildlife Refuge in Florida. Image taken with a Nikon D3s camera and 80-400 mm VRII lens (ISO 250, 400 mm, f/5.6, 1/30 sec). Raw image processed with Capture One Pro 7 (including conversion to B&W with one color).

Sunday (06-January-2013) — Florida

Gone to See Florida 2013 Road Trip. Day 3: Foggy Morning in St. Petersburg.

When I woke up this morning and looked out from the balcony of my room at the Vinoy hotel it was foggy. I couldn’t even see the St. Petersburg Pier that I had been taking images for a time-lapsed video the previous night. I had hoped to go to Fort De Soto park for both sunrise and bird photography today — but it was way too foggy. Initially I could barely see the palm trees. At 11 AM, I still couldn’t see the Pier.

Foggy Morning in St. Petersburg from a Balcony at the Vinoy Hotel. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/3.5, 1/80 sec). Converted to B&W with NIK Silver Efex Pro 2. (David J Mathre)

Three-Years Ago (09-April-2008) — Arizona

Page Arizona Photography Workshop with Winston Hall. Day 2: Upper Antelope Canyon.

Nik recently upgraded its Silver Efex Pro plug-in for Photoshop CS5 to version 2. The following images of the Upper Antelope Canyon were taken during a Page Arizona photography workshop lead by Winston Hall. The raw images were processed with Capture One Pro, converted to tiff and transferred to Photoshop CS5, then converted to B&W using the new Silver Efex Pro plug-in. The conversion used the default “Fine Art #19” settings. Make a comment to this blog post, or send me an e-mail if you see the ghost in one of the images.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/4 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/4 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 48 mm, f/16, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 48 mm, f/16, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 32 mm, f/16, 8 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 32 mm, f/16, 8 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 29 mm, f/16, 2 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 29 mm, f/16, 2 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 25 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 25 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 40. mm, f/16, 2.5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 40. mm, f/16, 2.5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

One-Year Ago (26-February-2010) — California

Photography Workshop “Yosemite in Winter: A Season of Contrast” with Michael Mariant. Day 2: Yosemite National Park.

The following image is a combination of two NIK tools, HDR Pro and Silver Efex 2. The images were taken with a Nikon D3s camera and 14-24 mm f/2.8 lens (ISO 200, 16 mm, f/11, various shutter speeds) during a photography workshop one-year ago in Yosemite National Park.