Ten-Years Ago (01-August-2008) — From the Air

Flying Across the United States: Fermi National Accelerator Laboratory From 35K Feet.

While flying from Denver, Colorado to Newark, New Jersey I saw the Fermi National Accelerator Laboratory out my window. Sometimes it is amazing the images you can get out the window of a commercial jet at 35K feet.

FermiLab From 35K Feet. Flying from Denver, Colorado to Newark, New Jersey. Image taken with a Nikon D300 and 18-200 mm VR lens (ISO 200, 62 mm, f/5, 1/2000 sec). (© 2008 David J Mathre)
FermiLab From 35K Feet. Flying from Denver, Colorado to Newark, New Jersey. Image taken with a Nikon D300 and 18-200 mm VR lens (ISO 200, 62 mm, f/5, 1/2000 sec). (© 2008 David J Mathre)

Four-Years Ago (28-July-2014) — Russia

Gone to See Europe 2014. Day 58: Semester at Sea, Summer 2014 Semester Voyage. Saint Petersburg, Russia.

On our last day in Saint Petersburg, I attended a Master Cooking Class. I actually took more pictures than doing any cooking. The Russian food (Stuffed Cabbage and Borscht) we prepared was great, and I used the pictures to create this Time-Lapse Video.

Tuesday (10-July-2018) — New Jersey

Backyard Nighttime Sky Over New Jersey.

For the second night in a row the sky was clear so again I set up two cameras. This time using lessons learned from yesterday. One for firefly trails (Nikon D810a camera and 200 mm f/2 lens), and one for star trails looking north (Nikon D850 camera and 19 mm f/4 PC-E lens). This time the focus point for the firefly trails was moved back, and the orientation changed to portrait. I like this better than last night. For the star trails image I rotated the camera to north to get the circle around the north star. The star trail images really needs to be viewed on a large high-resolution monitor. I also made a time-lapse video (five hours compressed to 20 seconds) of the night sky. This is best viewed on a high-resolution monitor in a dark room. The Big Dipper pointing to the north star was one of the first things I learned about the night sky. One note post processing is with these high-resolution cameras it took me all day to do the processing, even with my fastest computer with a video processor (Microsoft Surface Book II Pro).

Firefly Trails. Composite of images taken with a Nikon D810a camera and 200 mm f/2 lens (ISO 1600, 200 mm, f/11, 120 sec). Raw images processed with Capture One Pro and the composite generated using Photoshop CC (statistics, maximum). (DAVID J MATHRE)
Firefly Trails. Composite of images taken with a Nikon D810a camera and 200 mm f/2 lens (ISO 1600, 200 mm, f/11, 120 sec). Raw images processed with Capture One Pro and the composite generated using Photoshop CC (statistics, maximum). (DAVID J MATHRE)
Startrail Looking North. Composite of images (22:20-03:19) taken with a Nikon D850 camera and 19 mm f/4 PC-E lens (ISO 200, 19 mm, f/4, 30 sec). Raw images processed with Capture One Pro and the composite created using Photoshop CC (scripts, statistics, maximum). (DAVID J MATHRE)
Star Trarils Looking North. Composite of images (22:20-03:19) taken with a Nikon D850 camera and 19 mm f/4 PC-E lens (ISO 200, 19 mm, f/4, 30 sec). Raw images processed with Capture One Pro and the composite created using Photoshop CC (scripts, statistics, maximum). (DAVID J MATHRE)


Individual images from the slide show can be viewed here.

Friday (06-July-2018) — New Jersey

Backyard Summertime in New Jersey.

Focus Stacked Macro images of a Bumble Bee on a Pink Zinnia Flower.  Fuji recently released a firmware update for the Fuji X-T2 and X-H1 mirrorless cameras that allow the camera to take a series of focus bracketed images. The camera starts with a user selected near focus point, then for each subsequent image changes the focus point an increment further away (toward infinity). The bracketing settings are number of frames (2-999), step (1-10), and interval (seconds). Each of images below are focus stacked composites of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec) with a step of 10, and interval of 0 seconds. I used the Helicon Focus program to process the focus bracketed images to create the focus stacked composite. The result is an image with a depth of field much greater than could be obtained with a single image even with narrow aperture.  Note the tiny mites on the back of the bee.

Bumble Bee on a Zinnia Bloom. Focus stacked composite of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec). Images processed with Helicon Focus. (DAVID J MATHRE)
Bumble Bee on a Zinnia Bloom. Focus stacked composite of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec). Images processed with Helicon Focus. (DAVID J MATHRE)
Bumble Bee on a Zinnia Bloom. Focus stacked composite of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec). Images processed with Helicon Focus. (DAVID J MATHRE)
Bumble Bee on a Zinnia Bloom. Focus stacked composite of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec). Images processed with Helicon Focus. (DAVID J MATHRE)
Bumble Bee with Mites on a Zinnia Bloom. Focus stacked composite of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec). Images processed with Helicon Focus. (DAVID J MATHRE)
Bumble Bee with Mites on a Zinnia Bloom. Focus stacked composite of 25 images taken with a Fuji X-H1 camera and 80 mm f/2.8 macro lens (ISO 200, 80 mm, f/2.8, 1/250 sec). Images processed with Helicon Focus. (DAVID J MATHRE)

As noted above, I used a setting of 25 images, step size 10, and interval 0 seconds. I chose 25 images because that is about the number of images that can be taken (raw + jpg fine) in a burst before the buffer fills and the interval between images becomes longer. This allowed me to take the images hand-held (without using a tripod). I am not sure what the interval represents, and if it is different with each lens. The setting of 25 images and step size of 10 gives me a about half an inch of “in focus” range at a close focusing distance. Saving only jpg images would permit more images to be taken (deeper depth of field) and/or a smaller step size (greater resolution). I still have a lot to learn about using the focus stacking capability with this camera. Lots of trial and error. I am glade that digital memory is cheap, although processing lots of images takes time.

Eleven-Years Ago (04-July-2007) — Colorado

Summer in Colorado. Railroad to Pikes Peak.

Eleven-years ago on a lark I drove from Boulder to Colorado Springs and then to Manitou Springs to take the Cog Wheeled Railroad to the summit of Pikes Peak. Little did I know that you needed reservations for the cog rail trip to Pikes Peak, and that all trips were sold out for the day. I was very lucky that someone in line before me was unhappy that their party was not all sitting together and turned in their tickets. Once I got on board the train, I realized that I won the lottery since my ticket was for the front seat. This allowed me to set up a tripod and camera to capture images for a time-lapse video for the train ride. So as not to annoy the other passengers on the train I used a small Gitzo travel tripod, my smallest camera body, and a small lens. Going up the mountain I used a 18-200 mm lens at 18 mm. Going down the mountain my seat was now in the rear of the train looking back. For this I used a 10.5 mm fisheye lens. This was a case of being in the right place at the right time!!!

Steam Engine at Pikes Peak Cog Railroad. Image taken with a Nikon D200 and 10.5 mm f/2.8 fisheye lens (ISO 100, 10.5 mm, f/5.6, 1/250 sec). Raw image processed with Capture One Pro, Focus Magic, Topaz Define, and Photoshop CS5. (David J Mathre)
Steam Engine at Pikes Peak Cog Railroad. Image taken with a Nikon D200 and 10.5 mm f/2.8 fisheye lens (ISO 100, 10.5 mm, f/5.6, 1/250 sec). Raw image processed with Capture One Pro, Focus Magic, Topaz Define, and Photoshop CS5.