Gone to See Iceland 2013 Photography Safari with Mike Hagen. Day 3: Vestmannaeyjar (Westman Islands).
The group did a high-speed RIB Safari boat tour to the islands around Vestmannaeyjar. We needed to get into arctic survival suits, and had shoulder harness belts holding us in our seats. I strapped a camera to my chest with a fisheye lens and set it to automatically take images every few seconds. At times the boat was traveling at 40 knots with lots of heavy bouncing. We went all the way out to Surtsey island that I remember reading about as a kid rising from the sea as a volcano. At one point we saw a whale, so slowed down and stopped to take pictures. While stopped the boat rocked a lot, causing one or two passengers to lose their breakfast.
WARNING – THE TIME-LAPSE VIDEO MAY CAUSE MOTION SICKNESS
Gone to See Europe. Semester at Sea Spring 2013 Enrichment Voyage on the MV Explorer. Day 47: Kiel Canal, Germany.
I was part of a team of six photographers that took ~30,000 images as the MV Explorer (Semester at Sea Spring 2013 Enrichment Voyage) transits the Kiel Canal in Germany.Howard Ignatius used the images to create this time-lapse video of the passage through the canal.
Gone to See Europe. Semester at Sea Spring 2013 Enrichment Voyage on the MV Explorer. Day 45: At Sea between Stockholm and Copenhagen.
Late night or early in the morning (hard to tell this far north when there isn’t much darkness at night) I looked out my cabin window on the MV Explorer and saw the electric blue Noctilucent clouds. I read about them before (http://www.spaceweather.com/), but had never seen them. The clouds are ice crystals that are very high that you can only see for a short time when the sun is below the horizon. One theory is the crystals are nucleated when micro-meteors pass through the upper atmosphere. We were in the Baltic Sea traveling from Stockholm to Copenhagen and the sun doesn’t set until very late I set up a camera in my cabin and started taking pictures.(Nikon D4 camera, 28 mm f/1.8 lens (ISO 200 or 800, 28 mm, f/1.8, 1 sec)). The composite images were generated using Photoshop CC (statistics, maximum) the way I do generate star trails. I was impressed that you can see the star trails looking north, even though this is a composite of images taken on a moving ship at sea. The seas were pretty calm that night (early morning).
Noctilucent Clouds Over the Baltic Sea. From my cabin on the MV Explorer while traveling from Stockholm to Copenhagen. Composite of 99 images taken with a Nikon D4 camera and 28 mm f/1.8 lens (ISO 200, 28 mm, f/1.8, 1 sec). Raw image processed with Capture One Pro, and Photoshop CC (statistics, maximum). (David J Mathre)
Noctilucent Clouds Over the Baltic Sea. From my cabin on the MV Explorer while traveling from Stockholm to Copenhagen. Composite of 33 images taken with a Nikon D4 camera and 28 mm f/1.8 lens (ISO 800, 28 mm, f/1.8, 1 sec). Raw image processed with Capture One Pro, and Photoshop CC (statistics, maximum). (David J Mathre)
Noctilucent Clouds Over the Baltic Sea. From my cabin on the MV Explorer while traveling from Stockholm to Copenhagen. Composite of 27 images taken with a Nikon D4 camera and 28 mm f/1.8 lens (ISO 800, 28 mm, f/1.8, 1 sec). Raw image processed with Capture One Pro, and Photoshop CC (statistics, maximum). (David J Mathre)
Gone to See Europe. Semester at Sea Spring 2013 Enrichment Voyage on the MV Explorer. Ultimate Travel Photography Workshop IV with Michael Mariant. Day 28: At Sea.
It was a sea day aboard the MV Explorer as we traveled from Dublin, Ireland to Dover, United Kingdom. As the sun was beginning to set the clouds developed an intense orange color. As soon as I got up to deck 7 at the rear of the ship, I could see a cargo ship may pass directly between us and the sun. One of nine images I captured during the Spring Enrichment voyage of a ship passing in front of the sun at sunrise or sunset.
Sunset on the English Channel. Semester at Sea, Spring 2013 Enrichment Voyage on the MV Explorer on the way to Dover, England. Image taken with a Nikon D4 and 80-400 mm VRII lens (ISO 800, 400 mm, f/5.6, 1/125 sec). (David J Mathre)
