Friday (15-January-2016) — At Sea

Gone to See the World. Semester at Sea Spring 2016 Voyage on the MV World Odyssey. Day 11: Crossing the Pacific Ocean.

Catching the Rainbow on the MV World Odyssey while Crossing the Pacific Ocean. Image taken with a Leica T camera and 11-23 mm lens (ISO 100, 11 mm, f/14, 1/500 sec).

Catching the Rainbow on the deck of the MV World Odyssey. Crossing the Pacific Ocean from Hawaii to Japan. Semester at Sea, Spring 2016 Voyage - Day 11. Image taken with a Leica T camera and 11-23 mm lens (ISO 100, 11 mm, f/14, 1/500 sec). (David J Mathre)
Catching the Rainbow on the deck of the MV World Odyssey. Crossing the Pacific Ocean from Hawaii to Japan. Semester at Sea, Spring 2016 Voyage – Day 11. Image taken with a Leica T camera and 11-23 mm lens (ISO 100, 11 mm, f/14, 1/500 sec). (David J Mathre)

Five Years Ago (03-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 8: Hosteria El Pilar.

Images from Hosteria El Pilar and a Hike to El Mirador and Laguna Torre.

Tree in Patagonia taken during a hike to Mirador and Laguna Torre from Hosteria El Pilar in El Chalten, Argentina. Image taken with a Nikon D3x and 70-300 mm VR lens (ISO 100, 70 mm, f/4.5, 1/800 sec). (David J Mathre)
Tree in Patagonia taken during a hike to Mirador and Laguna Torre from Hosteria El Pilar in El Chalten, Argentina. Image taken with a Nikon D3x and 70-300 mm VR lens (ISO 100, 70 mm, f/4.5, 1/800 sec). (David J Mathre)


Three-Years Ago (03-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 8: Hosteria El Pilar.

We stayed several days at Hosteria El Pilar near El Chaltén in Argentina.  With the constant wind and extreme weather, the trees in Patagonia take on some unique shapes. After a long hike, there was a rainbow visible from the back porch at the Hosteria.

Tree in Patagonia taken during a hike to Mirador and Laguna Torre from Hosteria El Pilar in El Chalten, Argentina. Image taken with a Nikon D3x and 70-300 mm VR lens (ISO 100, 70 mm, f/4.5, 1/800 sec). (David J Mathre)
Tree in Patagonia taken during a hike to Mirador and Laguna Torre from Hosteria El Pilar in El Chalten, Argentina. Image taken with a Nikon D3x and 70-300 mm VR lens (ISO 100, 70 mm, f/4.5, 1/800 sec). (David J Mathre)
If a Tree in Patagonia is Attacked by a Magellanic Woodpecker Did Anyone Hear It? Hike from Hosteria El Pilar in El Chalten to El Mirador and Laguna Torre. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 100, 50 mm, f/4, 1/50 sec). (David J Mathre)
If a Tree in Patagonia is Attacked by a Magellanic Woodpecker Did Anyone Hear It? Hike from Hosteria El Pilar in El Chalten to El Mirador and Laguna Torre. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 100, 50 mm, f/4, 1/50 sec). (David J Mathre)
Remains of a Tree Struck by Lightning in Patagonia. Hike from Hosteria El Pilar in El Chalten to El Mirador and Laguna Torre. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 100, 50 mm, f/11, 1/8 sec). Day 7 of a Photography workshop in Patagonia workshop with Thom Hogan. . (David J Mathre)
Remains of a Tree Struck by Lightning in Patagonia. Hike from Hosteria El Pilar in El Chalten to El Mirador and Laguna Torre. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 100, 50 mm, f/11, 1/8 sec). (David J Mathre)
Hike to El Mirador and Laguna Torre in Patagonia from Hosteria El Pilar in El Chalten, Argentina. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 100, 50 mm, f/16, 1/160 sec). (David J Mathre)
Hike to El Mirador and Laguna Torre in Patagonia from Hosteria El Pilar in El Chalten, Argentina. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 100, 50 mm, f/16, 1/160 sec). (David J Mathre)
Two Horses Grazing under a Rainbow in the Backyard of Hosteria El Pilar in El Chalten, Argentina - Patagonia. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 800, 50 mm, f/5.6, 1/320 sec). (David J Mathre)
Two Horses Grazing under a Rainbow in the Backyard of Hosteria El Pilar in El Chalten, Argentina – Patagonia. Image taken with a Nikon D3x and 50 mm f/1.4G lens (ISO 800, 50 mm, f/5.6, 1/320 sec). (David J Mathre)

 

Four-Years Ago (28-September-2008) — Utah

Gone to See American 2008 Road Trip. Driving from Grand Staircase – Escalante National Monument to Bryce National Park.

Double Rainbow. While driving from Zion National Park to Bryce National Park on Utah Highway 12, I noticed a dark sky and then a rainbow in my rear-view mirror. I stopped along the road just outside Canyonville and started to take some pictures. It was great that I had a dark background so I could see the double rainbow. By the time the rainbow was done several other cars stopped. I was the only one with a tripod, which was good since I could take several exposures for later HDR processing.

Double Rainbow in Utah. Image taken with a Nikon D3 and 14-24 mm f/2.8 lens (ISO 200, 17 mm, f/16, 1/125 sec). Raw image processed with Capture One Pro, Topaz Define (Color Jump), Topaz DeNoise, and Photoshop CS5. (David J Mathre)
Double Rainbow in Utah. Image taken with a Nikon D3 and 14-24 mm f/2.8 lens (ISO 200, 17 mm, f/16, 1/125 sec). Raw image processed with Capture One Pro, Topaz Define (Color Jump), Topaz DeNoise, and Photoshop CS5. (David J Mathre)

One-Year Ago (10-January-2011) — Chile

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 15: Torres del Paine National Park, Departing Hosteria Lago Grey Chile.

Early Morning Double Rainbow in Patagonia. Comparison of HDR (High Dynamic Range) Processing Programs. Digital camera sensors are not able to deal with the full dynamic range that the human eye can process. The same is true with computer monitors and printers. There are several commercial programs that will combine over and under exposed digital images to provide a composite digital image that tries to express the wider dynamic range of the eye. I continue to evaluate the commercial HDR programs. The following images are of an early morning double rainbow taken at Lago Grey in Torres del Paine National Park in Chile during my Photography Workshop in Patagonia with Thom Hogan (10-January-2011). The inital image is the original single exposure. This is followed by four HDR images processed with 1) Photoshop CS5 HDR Pro, 2) Photomatix Pro, 3) Nik HDR Pro, and 4) HDR Express Pro. Please reply with comments on which HDR image you like or don’t like.

Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6, 1/25 sec). (David J Mathre)
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6, 1/25 sec).
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composhref=
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photoshop CS5 HDR Pro
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photomatix Pro (David J Mathre)
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photomatix Pro
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using NIK HDR Pro (David J Mathre)
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using NIK HDR Pro
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using HDR Express (David J Mathre)
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using HDR Express