Three-Years Ago (06-August-2010)- California

Gone to See America August 2010 Road Trip. Day 6: Eastern Sierra Photography Workshop with Michael Mariant. Bodie State Historic Park.

Bodie Gold Mine Ghost Town  Panorama.  Composite of seven portrait images taken with a Nikon D3s camera and 50 mm f/1.4G lens (ISO 800, 50 mm, f/16, 1/200 sec). Raw images processed with DxO and the panorama created using AutoPano Giga Pro.

Bodie Ghost Town Gold Mine Panorama. (David J Mathre)
Bodie Ghost Town Gold Mine Panorama. (David J Mathre)


Individual images in the slideshow can be viewed here.

Five-Years Ago (04-November-2007) — Colorado

Autumn Road Trip in Colorado: Rocky Mountain National Park.

  1. Panorama at Storm Pass Trail head in Rocky Mountain National Park (along the road to Bear Lake). Composite of 8 images taken with a Nikon D2xs and  28-70 mm f/2.8 lens (ISO 100, 45 mm, f/11, 1/20 sec). Image processed using DxO, AutoPano Giga, and Photoshop CS5.
  2. Steller’s Jay in Rocky Mountain National Park. Image taken with a Nikon D2xs and 70-200 mm f/2.8 VR lens (ISO 100, 200 mm, f/2.8, 1/25 sec). Hand held, VR works! This was a new type of blue jay for me.
Panorama at Storm Pass Trailhead, Rocky Mountain National Park, Colorado (David J Mathre)
Panorama at Storm Pass Trailhead, Rocky Mountain National Park, Colorado (David J Mathre)
Panorama at Storm Pass Trailhead, Rocky Mountain National Park, Colorado (David J Mathre)
Panorama at Storm Pass Trailhead, Rocky Mountain National Park, Colorado (David J Mathre)

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Five-Years Ago (03-November-2007) — Colorado

Autumn Road Trip in Colorado: Great Sand Dune National Park.

I drove from Boulder to southwestern Colorado to visit Alamosa National Wildlife Refuge. It was late in the season and very dry, so not many birds remained. I then traveled to Great Sand Dunes National Park. The sky was clear and blue. I took some panorama images of the sand dunes and the dry Medano creek bed. Most of the other folks visiting the park that day were there to climb and slide down the large sand dunes. I need to revisit both locations in the spring to see the migrating birds at the wildlife refuge, and  to see Medano creek with water flowing.

  1. Great Sand Dunes Panorama taken from the Visitor Center. Composite of 7 images taken with a Nikon D2xs camera and 17-35 mm f/2.8 lens (ISO 100, 35 mm, f/11, 1/80 sec). Processed using DxO, AutoPano Giga, Photoshop CS5. 2.
  2. Walking to the dunes with sleds. Image taken with a Nikon D2xs camera and 200-400 mm f/4 VR lens (ISO 100, 200 mm, f/5.6, 1/1000 sec).
  3. Walking to the dunes with sleds. Image taken with a Nikon D2xs camera and 200-400 mm f/4 VR lens (ISO 100, 400 mm, f/5.6, 1/800 sec).
  4. Panorama of the dry Medano creek bed, sand dunes, and Crestone peaks. Composite of 3 images taken with a Nikon D2xs camera and 17-35 mm f/2.8 lens (ISO 100, 17 mm, f/11, 1/40 sec). Processed using DxO, AutoPano Giga, Photoshop CS5.
Colorado Fall Nature; Grand Sand Dunes NP; Alamosa NWP (David J Mathre)
Colorado Fall Nature; Grand Sand Dunes National Park (David J Mathre)
Colorado Fall Nature; Grand Sand Dunes NP; Alamosa NWP (David J Mathre)
Colorado Fall Nature; Grand Sand Dunes NP; Alamosa NWP (David J Mathre)
Colorado Fall Nature; Grand Sand Dunes NP; Alamosa NWP (David J Mathre)
Colorado Fall Nature; Grand Sand Dunes NP; Alamosa NWP (David J Mathre)
Medano Creek Panorama, Great Sand Dunes National Park, Colorado. (David J Mathre)
Medano Creek Panorama, Great Sand Dunes National Park, Colorado. (David J Mathre)

One-Year Ago (24-March-2011) — California

Gone to See California. Day 5: Death Valley Spring 2011 Photography Workshop with Michael Mariant.

Comparison of Panorama Programs. There are several commercial programs that will combine digital images to provide panorama views. During a recent Nikonians Academy Workshop in Death Valley, I took several images from Dante’s View that I have now processed with Autopano Giga and PTGui. Photoshop CS5 was not able to successfully process the images into a panorama view. Notice the snow from the previous storm under the cactus in the foreground. The four images were acquired with a Nikon D3x camera and 24 mm f/3.5 PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec).

Panorama from Death Valley National Park. Composite of 4 images taken with a Nikon D3x and 24 mm PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec). Panorama created using PTGui. (David J Mathre)
Panorama from Dantes View in Death Valley National Park. Composite of 4 images taken with a Nikon D3x and 24 mm PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec). Panorama created using PTGui 7816 x 6812 pixels
Panorama from Dante's View, Death Valley National Park. Composite of 4 images taken with a Nikon D3x and 24 mm PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec). Panorama created using AutoPano Giga Pro. (David J Mathre)
Panorama from Dantes View, Death Valley National Park. Composite of 4 images taken with a Nikon D3x and 24 mm PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec). Panorama created using AutoPano Giga Pro 9294 x 7337 pixels
Panorama from Dantes View, Death Valley National Park. Composite of 4 images taken with a Nikon D3x and 24 mm PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec). Panorama created using AutoPano Giga Pro including the Neutralhazer plugin. (David J Mathre)
Panorama from Dantes View, Death Valley National Park. Composite of 4 images taken with a Nikon D3x and 24 mm PC-E lens (ISO 100, 24 mm, f/16, 1/100 sec). Panorama created using AutoPano Giga Pro including the Neutralhazer plugin 9276 x 7327 pixels

 

One-Year Ago (01-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 6: Hosteria El Pilar, El Chalten, Laguna Torre, Parque Nacional Los Glaciaries.

Composite Panorama Image Processing.

There are several image processing programs available to combine images to afford wider panorama images. The images of Laguna Torre were taken on a hike from El Chalten in Parque Nacional Los Glaciares while on a Photography Workshop in Patagonia with Thom Hogan on 01-January-2011. Three examples shown below have four portrait orientation images combined using Photoshop CS5, AutoPano Giga 2.5, and PTGui. All three composite images were cropped to the largest rectangle: Photoshop (11865 x 5814), AutoPano (12572 x 6266), and PTGui (12091 x 5979). Photoshop did the best job in minimizing the stitching artifacts in the water. AutoPano Giga did the best job in including the most image area — our hiking guide in the far lower right corner of the image is not cut off

Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using Photoshop CS5. (David J. Mathre)
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using Photoshop CS5.
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using AutoPano Giga Pro. (David J. Mathre)
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using AutoPano Giga Pro.
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using PTGui Pro. (David J. Mathre)
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using PTGui Pro.