Ten-Years Ago (19-May-2007) — Colorado

Springtime Nature in Colorado.

Bear Lake in Rocky Mountain National Park, and Boulder Falls.

Lily Lake panorama. Rocky Mountain National Park. Composite of three images taken with a Nikon D2xs camera and 17-55 mm f/2.8 lens. (David J Mathre)
Bear Lake panorama. Rocky Mountain National Park. Composite of three images taken with a Nikon D2xs camera and 17-55 mm f/2.8 lens. (David J Mathre)


Individual images from the slideshow can be viewed here.

Nine-Years Ago (04-May-2008) — Colorado

Springtime Nature in Colorado.

In addition to Rocky Mountain National Park, I also liked to go to Arapaho National Wildlife Refuge. It is a longer drive from Boulder, especially when the pass across the National Park is closed due to snow. The 23,464-acre wildlife refuge was established to provide suitable nesting and rearing habitat for migratory birds. Spring is a great time to visit as the migrating birds arrive when the snow in the wetlands is melting. There were a lot of birds, some I could identify and others that I need to identify. There were also a lot of prairie dogs, and a blind set up for a biologist to observe and study the prairie dogs.

Horned Lark in the wetlands of the Arapaho National Wildlife Refuge. Image taken with a Nikon D300 camera and 80-400 mm VR lens (ISO 200, 400 mm, f/8, 1/1250 sec). (David J Mathre)
Horned Lark in the wetlands of the Arapaho National Wildlife Refuge. Image taken with a Nikon D300 camera and 80-400 mm VR lens (ISO 200, 400 mm, f/8, 1/1250 sec). (David J Mathre)
Prairie dog in the wetlands of the Arapaho National Wildlife Refuge. Image taken with a Nikon D300 camera and 80-400 mm VR lens (ISO 200, 400 mm, f/11, 1/200 sec). (David J Mathre)
Prairie dog in the wetlands of the Arapaho National Wildlife Refuge. Image taken with a Nikon D300 camera and 80-400 mm VR lens (ISO 200, 400 mm, f/11, 1/200 sec). (David J Mathre)


Individual images in the slideshow can be viewed here.

Three-Years Ago (13-March-2014) — Iceland

Gone to See Iceland 2014 – Winter Photography Workshop. Day 5: South East Coast.

East Coast Icelandic Sunrise from Hotel Smylabjörg. First one is a HDR composite of two images taken with a Fuji X-T1 camera and Zeiss 32 mm f/1.8 lens. The second is a sunrise image showing that the Hotel is on a working farm with plastic covered bales of hay  and was taken with a Nikon Df camera and 24 mm f/1.4 lens. The third image is the tractor used to move the hay bales.

East Coast Icelandic Sunrise from Hotel Smylabjörg. HDR Composite of two images taken with a Fuji X-T1 camera and Zeiss 32 mm f/1.8 lens (ISO 200, 32 mm, f/16) (David J Mathre)
East Coast Icelandic Sunrise from Hotel Smylabjörg. HDR Composite of two images taken with a Fuji X-T1 camera and Zeiss 32 mm f/1.8 lens (ISO 200, 32 mm, f/16) (David J Mathre)
Plastic Covered Hay Bales at the Smylabjörg Farm and Guesthouse on the East Coast of Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/500 sec). (David J Mathre)
Plastic Covered Hay Bales at the Smylabjörg Farm and Guesthouse on the East Coast of Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/500 sec). (David J Mathre)
Early Morning View of a Valtra Tractor at the Smyrlabjorg Farm in Eastern Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/250 sec) (David J Mathre)
Early Morning View of a Valtra Tractor at the Smyrlabjorg Farm in Eastern Iceland. Image taken with a Nikon Df camera and 24 mm f/1.4G lens (ISO 100, 24 mm, f/1.4, 1/250 sec) (David J Mathre)

I am not providing the name or recommendation for the workshop leaders for this trip. One of the reasons I signed up  was the opportunity to photograph Northern Lights from Iceland. In 2013 I got some great images of the Aurora Borealis in Tromsö, Norway and hoped to do the same in Iceland. I arrived in Reykjavik, Iceland two days before the workshop and arranged a private tour with TripsByLocals.com to go Aurora Hunting. It didn’t look promising when we left the hotel (snowing an hour earlier). For the first 2 hours the sky remained mostly overcast. We then found a spot where the sky started to clear, and started to see the Aurora. It was cold and windy, but I found a place behind the van where I could set up a camera on a tripod. I was able to get 80 images which I used to create a time-lapsed video. The moon was almost full, and lit up the snow covered lava field in the foreground. It turned out that this was my only opportunity to get some good images of the Aurora on this trip. My father commented that it was not as good as the images I got in Tromsö last year. The weather for the Iceland workshop did not cooperate – lots of rain and snow with significant cloud cover. On the first day of the workshop we were supposed to fly from Reykjavik to Höfn but the weather in Höfn didn’t cooperate (even though it was sunny in Reykjavik). After spending some extra time waiting in the Reykjavik airport, it was decided that we would fly to Egilsstadir and take a several hour bus ride to Höfn. On the positive side, I got to see some of the Fjords on the east coast of Iceland, and on the negative side I lost a camera battery on the bus ride between Egilsstadir and Höfn when we had to change from a big 55 passenger bus to a smaller van. Once we got to the airport in Höfn we transferred to the van that would be our transportation for the rest of the workshop. Our first stop was the black sand beach on the coast next to the Jökulsárlón glacial lagoon. Every day when the tide goes out, ice that calved from the glacier in the lagoon goes out to sea, then when the tide comes in, the ice lands on the black sand beach. The makes for some great photo opportunities. However, as we arrived the rain started. We could only stay out for about 15 minutes before getting soaked in the cold and windy rain. We then went to Hotel Smyrlabjörg. I stayed at the same hotel last summer. The Icelandic food served at dinner was outstanding. When I went to sleep it was still raining. During the night the wind increased to the point it sounded like a train was passing outside my window. At about 01:30 AM I woke up and could see some stars in the sky outside my window. I went outside to get a look. It was still very windy. Windy to the point that I could barely stand up. I took a couple of pictures, and could see that the Northern Lights were starting – but there was no way I would be able to stay out in the gale force winds. So I went back to bed. The next morning at breakfast our workshop leader was gushing about how great the Aurora was between 03:30 AM and 05:30 AM. Unfortunately, he didn’t bother to wake the majority of the workshop participants even though he stayed out taking images for his portfolio. There were lots of apologies and excuses that he didn’t know what rooms we were in, but we were all staying in adjacent rooms. This turned out to be the one and only night that the Aurora were visible during the workshop. I was lucky to get the one night before the workshop to see and photograph the Aurora. Most of the others that spent thousands of dollars to see and photograph the Northern Lights as part of the workshop were very disappointed.

Nine-Years Ago (09-March-2008) — Colorado

Winter Nature in Colorado. Rocky Mountain National Park.

One of the things that I loved when working part-time in Boulder was the chance to go to Rocky Mountain National park nearly every weekend. Several of the roads on the east side of the park are kept open year round. The following are some images I took of the landscape and the animals in the park.

Winter trail and panorama at Lily Lake in Rocky Mountain National Park. Composite of five images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/160 sec). Raw images processed with Capture One Pro and the composite generated using AutoPano Giga Pro. The jags in the contrails unfortunately show that the upper winds were strong while taking the five images. (David J Mathre)
Winter trail and panorama at Lily Lake in Rocky Mountain National Park. Composite of five images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/160 sec). Raw images processed with Capture One Pro and the composite generated using AutoPano Giga Pro. The jags in the contrails unfortunately show that the upper winds were strong while taking the five images. (David J Mathre)
Winter road in Colorado. Panorama of Longs Peak to Estes Cone. Composite of five images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/250 sec). Raw images processed with Capture One Pro and the composite generated using AutoPano Giga Pro. (David J Mathre)
Winter road in Colorado. Panorama of Longs Peak to Estes Cone. Composite of five images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/250 sec). Raw images processed with Capture One Pro and the composite generated using AutoPano Giga Pro. (David J Mathre)
Black-billed Magpie eating scraps on a picnic table at Endovalley in Rocky Mountain National Park. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 125 mm, f/2.8, 1/1600 sec). (David J Mathre)
Black-billed Magpie eating scraps on a picnic table at Endovalley in Rocky Mountain National Park. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 125 mm, f/2.8, 1/1600 sec). (David J Mathre)
Black-billed Magpie in a pine tree at Endovalley in Rocky Mountain National Park. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 125 mm, f/2.8, 1/1600 sec). (David J Mathre)
Black-billed Magpie in a pine tree at Endovalley in Rocky Mountain National Park. Image taken with a Nikon D3 camera and 70-200 mm f/2.8 VR lens (ISO 200, 125 mm, f/2.8, 1/1600 sec). (David J Mathre)
Pine trees in the winter. Rocky Mountain National Park. Composite of seven images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 27 mm, f/16, various). Raw images processed with Capture One Pro, and HDR composite generated using Photomatix Pro. (David J Mathre)
Pine trees in the winter. Rocky Mountain National Park. Composite of seven images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 27 mm, f/16, various). Raw images processed with Capture One Pro, and HDR composite generated using Photomatix Pro. (David J Mathre)
Pine tree in the winter. Rocky Mountain National Park. Composite of seven images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 27 mm, f/16, various). Raw images processed with Capture One Pro, and HDR composite generated using Photomatix Pro. (David J Mathre)
Pine tree in the winter. Rocky Mountain National Park. Composite of seven images taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 27 mm, f/16, various). Raw images processed with Capture One Pro, and HDR composite generated using Photomatix Pro. (David J Mathre)
Bull Elk in Rocky Mountain National Park. Winter nature in Colorado. Image taken with a Nikon D300 camera and 300 mm f/2.8 VR lens with a TCE-20 teleconverter (ISO 200, 600 mm, f/5.6, 1/500 sec). (David J Mathre)
Bull Elk in Rocky Mountain National Park. Winter nature in Colorado. Image taken with a Nikon D300 camera and 300 mm f/2.8 VR lens with a TCE-20 teleconverter (ISO 200, 600 mm, f/5.6, 1/500 sec). (David J Mathre)
Bull Elks in Rocky Mountain National Park. Winter nature in Colorado. Image taken with a Nikon D300 camera and 300 mm f/2.8 VR lens with a TCE-20 teleconverter (ISO 200, 600 mm, f/5.6, 1/800 sec). (David J Mathre)
Bull Elks in Rocky Mountain National Park. Winter nature in Colorado. Image taken with a Nikon D300 camera and 300 mm f/2.8 VR lens with a TCE-20 teleconverter (ISO 200, 600 mm, f/5.6, 1/800 sec). (David J Mathre)
Coyote in Rocky Mountain National Park looking for lunch. Winter nature in Colorado. Image taken with a Nikon D300 camera and 300 mm f/2.8 VR lens with a TCE-20 teleconverter (ISO 200, 600 mm, f/5.6, 1/800 sec). (David J Mathre)
Coyote in Rocky Mountain National Park looking for lunch. Winter nature in Colorado. Image taken with a Nikon D300 camera and 300 mm f/2.8 VR lens with a TCE-20 teleconverter (ISO 200, 600 mm, f/5.6, 1/800 sec). (David J Mathre)

Four-Years Ago (11-February-2013) — Norway

Gone to See Norway 2013. Chasing the Northern Lights. Day 14: Tromsø.

Wintertime walkabout in Tromsø, Norway. Part 3: A wide Panorama, the Tromsø bridge, “Life is Beautiful”, and the winter sun close to the horizon at 1:20 PM (13:20). We were looking forward to it getting dark so we could go out to see if the Northern Lights would show up again.

Winter Panorama of Tromsø. Composite of thirteen images taken with a Leica X2 camera (ISO 100, 24 mm, f/8, 1/250 sec). Raw images processed with Capture One Pro and the composite panorama generated using Auto Pano Giga Pro. (David J Mathre)
Winter Panorama of Tromsø. Composite of thirteen images taken with a Leica X2 camera (ISO 100, 24 mm, f/8, 1/250 sec). Raw images processed with Capture One Pro and the composite panorama generated using Auto Pano Giga Pro. I have printed this as a 65″ wide x 10″ high panorama. (David J Mathre)
"Life is Beautiful" painted in pink on a wall in Tromsø, Norway. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5, 1/50 sec). Raw image processed with Capture One Pro (David J Mathre)
“Life is Beautiful” painted in pink on a wall in Tromsø, Norway. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5, 1/50 sec). Raw image processed with Capture One Pro (David J Mathre)
Tromsø, Norway bridge and reflection. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5.6, 1/100 sec). Raw image processed with Capture One Pro (including conversion to B&W). (David J Mathre)
Tromsø, Norway bridge and reflection. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5.6, 1/100 sec). Raw image processed with Capture One Pro (including conversion to B&W). (David J Mathre)
The sun doesn't rise very high above the horizon in Tromsø, Norway during the winter. This picture was taken at 1:20 PM (13:20). Image taken with a Leica X2 camera (ISO 100, 24 mm, f/16, 1/1000 sec). Raw image processed with Capture One Pro, Photoshop CC, and Google/NIK Colorefex Pro. (David J Mathre)
The sun doesn’t rise very high above the horizon in Tromsø, Norway during the winter. This picture was taken at 1:20 PM (13:20). Image taken with a Leica X2 camera (ISO 100, 24 mm, f/16, 1/1000 sec). Raw image processed with Capture One Pro, Photoshop CC, and Google/NIK Color Efex Pro. (David J Mathre)