Gone to See California. SIRNA Business Meeting in San Francisco.
Sunset Panorama View of the Moon, Night Sky, Oakland and San Francisco from the Berkeley Hills. Composite of three images taken with a Nikon D3x camera and 24 mm f/3.5 PC-E lens (ISO 800, 24 mm, f/5, 0.5 sec).
Sunset view of San Francisco and Oakland from Berkeley Hills (David J Mathre)
Backyard Late Summer Nighttime Sky Over New Jersey.
Last night the sky was clear, and the waxing gibbous moon (61%) bright, so I set up a couple of cameras with big lenses out on the deck. One of the systems (Nikon D4 camera TC-E III 20 teleconverter and 600 mm f/4 VR lens (ISO 400, 1200 mm, f/8, 1/60 sec)) was set to record video (1080p, 30 fps). While reviewing the videos I noticed one with something (a bird?) passing in front of the moon. Played back at 10 fps shows the transit to occur over 25 frames.
Backyard Spring Night Sky in New Jersey. Wide Angle Lens Options for Nikon 1 Cameras.
One of the issues I have had with the Nikon 1 “mirrorless” cameras is the lack of wide-angle lens options. The widest angle available with the initial set of lenses was 10 mm f/2.8 prime. This has a 77° field of view (FOV) equivalent to a 27 mm lens on a full-frame (FX) DSLR camera. I like taking wide-angle panorama landscape images when traveling. In order to do this with the Nikon 1 camera requires taking several images and then stitching them together during post-processing. Before going to Norway, I saw a note on the internet that the Olympus FCON-T01 Fisheye converter uses the same 40.5 mm thread that the Nikon 1 10 mm f/2.8 lens uses. The 0.74x adapter increases the FOV to something like 20 mm on a FX DSLR camera. I took this combo with me to Norway, and published an image of Greenland from 36,000 feet using the combo. (19-February-2013).
Since returning from Norway, Nikon released a new wide-angle telephoto lens for Nikon 1 cameras – the 6.7 – 13 mm f/3.5-5.6. At 6.7 mm this lens has a 100° FOV equivalent to a 18 mm lens on a FX DSLR camera. The following three images were taken with the Nikon 1 V2 camera 1) with the 10 mm f/2.8 lens; 2) with the 10 mm f/2.8 lens and the Olympus fish-eye converter; and 3) with the 6.7-13 mm lens at 6.7 mm. The wide-angle image with the 6.7 mm does not have the fish-eye curvature effect. Indeed, when in Norway I found that when I used the Olympus lens I would need to keep the horizon right at the middle of the image. I think that I will be adding the 6.7-13 mm lens to my light-weight travel kit.
Note: Nikon changed the threading on the 6.7-13 mm lens to 52 mm, so I can’t use the Olympus adapter with this lens 😉
New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 10 mm f/2.8 lens (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 10 mm f/2.8 lens + Olympus Fisheye adapter (ISO 160, 10 mm, f/2.8, 10 sec). (David J Mathre)New Jersey Early Spring Night Sky with Moon and Clouds. Image taken with a Nikon 1 V2 camera and 6.7-13 mm lens (ISO 160, 6.7 mm, f/3.5, 20 sec). (David J Mathre)
Backyard Late Autumn Early Morning Sky: Last Quarter Moon.
It has been a long, but mainly productive day. I got up very early to get a picture of the last quarter moon. I wanted to try out photography of the moon through a 500 mm telephoto lens using the Nikon 1 V1 camera. Because of the smaller size of the image sensor vs. a 35 mm (FX in the Nikon digital world) the effective field of view with this setup is equivalent to using a 35 mm camera with a 1350 mm lens (~2.7x). Since the N1V1 camera does not have a mirror (the mirror in a DSLR needs to move out-of-the-way when taking pictures) and has an electronic shutter mode — there is no mirror slap or shutter motion when taking pictures. This is important when taking pictures through large telephoto lenses where any motion or vibration will blur the image. I had hopes that this would help to get a sharp image of the moon. One limitation with the N1V1 with the FT1 adapter is that it can only autofocus through the center autofocus sensor. For this image I manually focused the lens (and set the camera to manual focus so it would not try to autofocus before releasing the electronic shutter). I used the remote (IR) shutter release so I would not be adding additional vibration to the system. I was impressed with the result. I did take several images trying different settings, and this was one of the better ones.
Last Quarter Moon, Late Fall in New Jersey. Image taken with a Nikon 1 V1 camera, FT1 adapter, and 500 mm f/4 VR lens (ISO 100, 500 mm, f/4, 1/500 sec). (David J Mathre)