Arizona - David Mathre Photography

Three-Years Ago (09-April-2008) — Arizona

Page Arizona Photography Workshop with Winston Hall. Day 2: Upper Antelope Canyon.

Nik recently upgraded its Silver Efex Pro plug-in for Photoshop CS5 to version 2. The following images of the Upper Antelope Canyon were taken during a Page Arizona photography workshop lead by Winston Hall. The raw images were processed with Capture One Pro, converted to tiff and transferred to Photoshop CS5, then converted to B&W using the new Silver Efex Pro plug-in. The conversion used the default “Fine Art #19” settings. Make a comment to this blog post, or send me an e-mail if you see the ghost in one of the images.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/4 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/4 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 48 mm, f/16, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 48 mm, f/16, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 32 mm, f/16, 8 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 32 mm, f/16, 8 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 29 mm, f/16, 2 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 29 mm, f/16, 2 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 25 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 25 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 40. mm, f/16, 2.5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 40. mm, f/16, 2.5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Three-Years Ago (08-April-2008) — Arizona

Gone to See America 2008. Page Arizona Photography Workshop with Winston Hall. Day 1: Lower Antelope Canyon.

Comparison of HDR Express Default Processing Modes. I recently obtained HDR Express (from United Color) as a new HDR (High Dynamic Range) processing program. The following are examples of the default processing modes provided in HDR Express. The images were taken on this day in 2008 while on a Nikonians Academy Photography Workshop in Page Arizona with Winston Hall. Additional images from this day are in the 08-April-2008 Blog.

The first two images are the initial single image processed with Capture One Pro. The first “as is” — note the amount of the image over exposed (clipped) near the top and second “optimized” using the Capture One Pro tools to better balance the exposure. The following 13 images are composites of 5 over and under exposed images processed with HDR Express using the default processing modes: Optimum, Linear, Natural, Vivid, B&W, B&W Grunge, Dreamy, Vintage Color, Soft & Cold, Artistic, Blogger’s Delight, Artistic, Grunge, Retina Burn.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 1/4 sec). (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 1/4 sec).

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Vivid Profile).

Monday (08-November-2010) — New Jersey

2010 America the Beautiful National Park Commemorative Quarters.

Three of the 2010 America the Beautiful National Park Commemorative Quarters: Yellowstone National Park, Yosemite National Park, and Grand Canyon National Park. I need to track down the coins for Hot Springs National Park and Mount Hood National Forest

Wednesday (09-April-2008) — Arizona

Gone to See America 2008. Page Arizona Photography Workshop with Winston Hall. Day 2: Upper Antelope Canyon.

On the second day of the Page Arizona Workshop with Winston Hall we started with a session in Upper Antelope Canyon. The upper and lower portions of Antelope Canyon are narrow slot canyons on the Navajo reservation near Page Arizona. The Upper canyon is all at ground level and thus easier to enter and exit without needing to climb ladders. The downside for photographers is that more people tour the Upper Canyon. We had a great guide that metered the passage of other tourist giving us time to compose and execute our images. The canyons are favorites for photographers because of the constantly changing light and textures. The canyons can be a challenge to photograph because of the wide range of light levels well beyond the capabilities of digital camera sensors. The light was a bit flatter in the Upper Canyon vs. the Lower Canyon yesterday. As such, I didn’t need to use HDR when processing the images.

Antelope Canyon Tours Passenger Truck. Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 18 mm, f/8, 1/500 sec). Image processed with Capture One Pro. (David J Mathre) — Antelope Canyon Tours Passenger Truck. Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 18 mm, f/8, 1/500 sec). Image processed with Capture One Pro.

Upper Antelope Canyon Entrance, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 22 mm, f/8, 1/500 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon Entrance, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 22 mm, f/8, 1/500 sec). Image processed with Capture One Pro.

Tumble Weed at the Upper Antelope Canyon Entrance, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 27 mm, f/8, 1/320 sec). Image processed with Capture One Pro. (David J Mathre) — Tumble Weed at the Upper Antelope Canyon Entrance, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 27 mm, f/8, 1/320 sec). Image processed with Capture One Pro.

Tumble Weed at the Upper Antelope Canyon Entrance, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 18 mm, f/8, 1/80 sec). Image processed with Capture One Pro. (David J Mathre) — Tumble Weed at the Upper Antelope Canyon Entrance, Page Arizona. Image taken with a Nikon D300 camera and 18-200 mm VR lens (ISO 200, 18 mm, f/8, 1/80 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 0.4 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 0.4 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 22 mm, f/16, 1.3 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 22 mm, f/16, 1.3 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 6 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 6 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro.

Falling Sand. Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 20 sec). Image processed with Capture One Pro. (David J Mathre) — Falling Sand. Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 20 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/2.8, 0.5 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/2.8, 0.5 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 8 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 8 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 15 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 15 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 13 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 13 sec). Image processed with Capture One Pro.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 8 sec). Image processed with Capture One Pro. (David J Mathre) — Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 8 sec). Image processed with Capture One Pro.

Tuesday (08-April-2008) — Arizona

Gone to See America 2008. Page Arizona Photography Workshop with Winston Hall. Day 1: Lower Antelope Canyon.

On the first day of the Page Arizona Workshop with Winston Hall we started with a session in Lower Antelope Canyon. The upper and lower portions of Antelope Canyon are narrow slot canyons on the Navajo reservation near Page Arizona. The canyons are favorites for photographers because of the constantly changing light and textures. The canyons can be a challenge to photograph because of the wide range of light levels well beyond the capabilities of digital camera sensors. Several of the following images are HDR composites of 5 images (over and under exposed) processed using Photomatix Pro.

Entrance to Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D300 and 18-200 mm VR lens (ISO 200, 18 mm, f/11, 1/500 sec). (David J Mathre) — Entrance to Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D300 and 18-200 mm VR lens (ISO 200, 18 mm, f/11, 1/500 sec).

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 2.5 to 15 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 2.5 to 15 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 1.6-8 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 1.6-8 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 1.3 sec). (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 1.3 sec).

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/11, 0.4-2.5 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/11, 0.4-2.5 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 2-13 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 2-13 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.5-3 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.5-3 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/22, 2-6 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/22, 2-6 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.8-5 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.8-5 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.33-2 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.33-2 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.5 sec). (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.5 sec).

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.6-4 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.6-4 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.25-1.6 sec). HDR composite of 5 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.25-1.6 sec). HDR composite of 5 images using Photomatix Pro.

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.6 sec). HDR composite of 5 images using Photomatix Pro. 4 (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 0.6 sec). HDR composite of 5 images using Photomatix Pro. 4

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/22, 0.4-2.5 sec). HDR composite of 5 images using Photomatix Pro (detail enhanser) (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/22, 0.4-2.5 sec). HDR composite of 5 images using Photomatix Pro (detail enhanser)

Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 1-15 sec). HDR composite of 7 images using Photomatix Pro. (David J Mathre) — Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/16, 1-15 sec). HDR composite of 7 images using Photomatix Pro.