Nine-Years Ago (06-January-2008) — Colorado

Winter Nature in Colorado. Rocky Mountain National Park.

Winter in Rocky Mountain National Park. It was only an hour drive from Boulder and I would visit whenever I could. The Park Service kept most of the lower roads open throughout the winter.

Winter in Rocky Mountain NP. Image taken with a Nikon D2xs and 17-35 mm f/2.8 lens (ISO 100, 17 mm, f/11, 1/125 sec) (David J. Mathre)
Winter in Rocky Mountain NP. Image taken with a Nikon D2xs and 17-35 mm f/2.8 lens (ISO 100, 17 mm, f/11, 1/125 sec) (David J. Mathre)
Winter in Rocky Mountain NP. Image taken with a Nikon D2xs and 17-35 mm f/2.8 lens (ISO 100, 17 mm, f/11, 1/125 sec) (David J. Mathre)
Winter in Rocky Mountain NP. Image taken with a Nikon D2xs and 17-35 mm f/2.8 lens (ISO 100, 17 mm, f/11, 1/125 sec) (David J. Mathre)
Winter in Rocky Mountain NP. Image taken with a Nikon D2xs and 17-35 mm f/2.8 lens (ISO 100, 25 mm, f/9, 1/125 sec) (David J. Mathre)
Winter in Rocky Mountain NP. Image taken with a Nikon D2xs and 17-35 mm f/2.8 lens (ISO 100, 25 mm, f/9, 1/125 sec) (David J. Mathre)

Two-Years Ago (04-January-2015) — Chile

Gone to See Antarctica 2014/2015. Hurtigruten Christmas Voyage on the MS Fram. Day 20: Beagle Channel on the way to Ushuaia for Debarkation.

Final Dawn aboard the Hurtigruten MS Fram on the Christmas Antarctica voyage. Orange clouds above the Beagle Channel on the way to Ushuaia. Everyone else had been celebrating last night, and I had the upper deck to myself to enjoy the dawn. Image taken with a Leica T camera and 23 mm lens (ISO 100, 23 mm, f/4, 1/125 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CC.

Final Dawn Clouds, Beagle Channel on the way to Ushuaia from the Upper Deck of the MS Fram. Image taken with a Leica T camera and 23 mm lens (ISO 100, 23 mm, f/4, 1/125 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CC. (David J Mathre)
Final Dawn Clouds, Beagle Channel on the way to Ushuaia from the Upper Deck of the MS Fram. Image taken with a Leica T camera and 23 mm lens (ISO 100, 23 mm, f/4, 1/125 sec). Raw image processed with Capture One Pro, Nik Define, and Photoshop CC. (David J Mathre)

Six-Years Ago (04-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 9: Perito Moreno Glacier.

After we arrived at Hosteria Los Notros, we walked down to the boardwalk overlooking the Glacier. Perito Moreno Glacier is one of the few glaciers in the world that is advancing rather than retreating. I used a fish-eye lens to get the whole view of the Perito Moreno Glacier. Image taken with a Nikon D3s camera and 16 mm f/2.8 fisheye lens (ISO 200, f/22, 1/125 sec). Last I heard, the Los Notros hotel was closed since it is within the National Park.

Perito Moreno Glacier, Los Glaciares National Park. Image taken with a Nikon D3s and 16 mm f/2.8 fisheye lens (ISO 200, f/22, 1/500 sec). (David J Mathre)
Perito Moreno Glacier, Los Glaciares National Park. Image taken with a Nikon D3s and 16 mm f/2.8 fisheye lens (ISO 200, f/22, 1/500 sec). (David J Mathre)
Perito Moreno Glacier (David J Mathre)
Blue Glacial Ice. Perito Moreno Glacier (David J Mathre)

Six-Years Ago (04-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 9: Hosteria El Pilar.

Our final morning at Hosteria El Pilar. Unfortunately Mount Fitzroy was hidden behind the orange clouds. Patagonia dawn panorama. Composite of 5 image taken with a Nikon D3s and 50 mm f/1.4G lens (ISO 400, 50 mm, f/4) using Kolor AutoPano Giga Pro. Later on one final image of the Lupine flowers. Image taken with a Nikon D3s camera and 50 mm f/1.4G lens (ISO 400, 50 mm, f/2.8, 1/250 sec). Then we were on the road to Perito Moreno Glacier.

Patagonia Dawn Panorama from Hosteria El Pilar in El Chalten, Argentina. Composite of 5 image taken with a Nikon D3s and 50 mm f/1.4G lens (ISO 400, 50 mm, f/4) using Kolor AutoPano Giga Pro. Unfortunately Fitzroy is hidden in the orange clouds. (David J Mathre)
Patagonia Dawn Panorama from Hosteria El Pilar in El Chalten, Argentina. Composite of 5 image taken with a Nikon D3s and 50 mm f/1.4G lens (ISO 400, 50 mm, f/4) using Kolor AutoPano Giga Pro. Unfortunately Fitzroy is hidden in the orange clouds. (David J Mathre)
Lupines at Hosteria El Pilar in El Chalten, Argentina - Patagonia. Image taken with a Nikon D3s and 50 mm f/1.4G lens (ISO 400, 50 mm, f/2.8, 1/250 sec). (David J Mathre)
Lupines at Hosteria El Pilar in El Chalten, Argentina – Patagonia. Image taken with a Nikon D3s and 50 mm f/1.4G lens (ISO 400, 50 mm, f/2.8, 1/250 sec). (David J Mathre)

Five-Years Ago (03-January-2012) — New Jersey

Backyard Winter Night Sky in New Jersey. Star Trails looking North and South.

Star and jet trails looking north and south from my deck. Raw images processed with Capture One Pro, and the composite created using Photoshop CC (scripts, statistics, maximum).

Star and jet trails looking north from my deck. Composite of 368 images taken with a Nikon D3x camera and 24 mm f/1.4 lens (ISO 100, 24 mm, f/2, 59 sec). Raw images processed with Capture One Pro, and the composite created using Photoshop CC (scripts, statistics, maximum), followed by Silver Efex Pro to convert the image to B&W. (David J Mathre)
Star and jet trails looking north from my deck. Composite of 368 images taken with a Nikon D3x camera and 24 mm f/1.4 lens (ISO 100, 24 mm, f/2, 59 sec). Raw images processed with Capture One Pro, and the composite created using Photoshop CC (scripts, statistics, maximum), followed by Silver Efex Pro to convert the image to B&W. (David J Mathre)
Star, moon, and jet trails looking south from my deck. Composite of 361 images taken with a Nikon D3x camera and 14-24 mm f/2.8 lens (ISO 400, 24 mm, f/4, 59 sec). Raw images processed with Capture One Pro (including conversion to B&W), and the composite created using Photoshop CC (scripts, statistics, maximum). (David J Mathre)
Star, moon, and jet trails looking south from my deck. Composite of 361 images taken with a Nikon D3x camera and 14-24 mm f/2.8 lens (ISO 400, 24 mm, f/4, 59 sec). Raw images processed with Capture One Pro (including conversion to B&W), and the composite created using Photoshop CC (scripts, statistics, maximum). (David J Mathre)