Sunday (09-October-2011) — New Jersey

Autumn Nature in New Jersey.

I saw this flock of Turkey Vultures warming themselves in the early morning sun. The local Turkey Vulture population has increased over the past several years. I think their major food source is deer killed by automobiles.

Turkey Vultures Morning Sun Perch. Autumn in New Jersey. Image taken with a Nikon D3s and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/13, 1/640). (David J Mathre)
Turkey Vultures Morning Sun Perch.Image taken with a Nikon D3s camera and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/13, 1/640). (David J Mathre)
Turkey Vultures Morning Sun Perch. Autumn in New Jersey. Image taken with a Nikon D3s and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/13, 1/640). (David J Mathre)
Turkey Vultures Morning Sun Perch. Image taken with a Nikon D3s camera and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/13, 1/640). (David J Mathre)
Turkey Vulture Morning Sun Perch. Autumn in New Jersey. Image taken with a Nikon D3s and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/4.5, 1/320). (David J Mathre)
Turkey Vulture Morning Sun Perch. Image taken with a Nikon D3s camera and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/4.5, 1/320). (David J Mathre)
Turkey Vulture Soaring. Autumn in New Jersey. Image taken with a Nikon D3s and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/4.5, 1/320). (David J Mathre)
Turkey Vulture Soaring. Image taken with a Nikon D3s camera and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/4.5, 1/320). (David J Mathre)
Turkey Vulture Soaring. Autumn in New Jersey. Image taken with a Nikon D3s and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/4.5, 1/320). (David J Mathre)
Turkey Vulture Soaring. Image taken with a Nikon D3s camera and 300 mm f/2.8 VR lens (ISO 200, 300 mm, f/4.5, 1/320). (David J Mathre)

Saturday (08-October-2011) — New Jersey

Backyard Autumn Nighttime Skies Over New Jersey.

Early Early Morning  Star Trails. With the continuing clear skies, I set up two cameras to record star trails early this morning. I started at 3:00 AM after the moon set. I was still worried about condensation on the lens. I pointed a Nikon D3 camera with a 16 mm f/2.8 fish-eye lens north, and a Nikon D3x camera with a 14-24 mm f/2.8 lens at 14 mm pointed south.  I used some gaffer tape to prevent the focal length lens creep on the 14-24 mm lens that ruined a previous star trails session. The Nikon D3 camera stopped recording after 2 hours. After the fact, I realized that I used a EN-EL4 rather than the higher capacity EN-EL4A battery. The D3x camera with a EN-EL4A battery ran until I went out to get the cameras at sunrise. Unfortunately, condensation on the lens started distorting images after about 5 AM. Both the North and South facing Star Trails ended up about 60 images (2 hours). The really bright trail in both the Northern and Southern view is Jupiter.

North View Star Trails. Autumn Early Morning in New Jersey. Image taken with a Nikon D3 and 16 mm f/2.8 mm Fisheye lens (ISO 200, 16 mm, f/4, 1 min 59 sec). Composite of 56 images combined using the Startrails program. (David J Mathre)
North View Star Trails. Autumn Early Morning in New Jersey. Image taken with a Nikon D3 and 16 mm f/2.8 mm Fisheye lens (ISO 200, 16 mm, f/4, 1 min 59 sec). Composite of 56 images combined using the Startrails program. (David J Mathre)
South View Star Trails. Autumn Early Morning in New Jersey. Image taken with a Nikon D3x and 14-24 mm f/2.8 mm lens (ISO 100, 14 mm, f/4, 1 min 59 sec). Composite of 60 images combined using the Startrails program. (David J Mathre)
South View Star Trails. Autumn Early Morning in New Jersey. Image taken with a Nikon D3x and 14-24 mm f/2.8 mm lens (ISO 100, 14 mm, f/4, 1 min 59 sec). Composite of 60 images combined using the Startrails program. (David J Mathre)

Thursday (06-October-2011) — New Jersey

Backyard Autumn Nighttime Sky Over New Jersey.

With a clear sky, and bright waxing gibbous moon I experimented ways to acquire sharp images of the moon through a 600 mm f/4 VR telephoto lens. The lens is mounted on a tripod with a Wimberley gimble tripod head. VR  is turned off, and the camera set for “mirror up” mode. I used a remote release, and let the system stabilize for 30 seconds (time-out for mirror up) before the shutter would be triggered. The first five images are #1 (f/16, 1/50 sec); #2 (f/11, 1/100 sec); #3 (f/8, 1/200 sec); #4 (f/5.6, 1/400 sec); and #5 (f/4, 1/800 sec). I think the best was #4 (f/5.6, 1/400 sec), although all were pretty good. The next two images used a TC-E III 20 teleconverter for an effective focal length of 1200 mm #6 (f/16, 1/50 sec); #7 (f/11, 1/100 sec). Here I think #7 (f/11, 1/100 sec) is best. With the additional magnification, a faster shutter speed is needed to counteract the motion of the moon.

I also made several DSLR videos of the moon, since I was using my Nikon D3s camera body. When I reviewed the videos, I saw that I had captured at least two satellite transits in front of the moon. These transits are less than 1 second long. Subject for another post.

Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/16, 1/50 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/16, 1/50 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/11, 1/100 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/11, 1/100 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/8, 1/200 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/8, 1/200 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/5.6, 1/400 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/5.6, 1/400 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/4, 1/800 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens. (ISO 200, 600 mm, f/4, 1/800 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens + TC-E III 20 teleconverter. (ISO 200, 1200 mm, f/16, 1/50 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens + TC-E III 20 teleconverter. (ISO 200, 1200 mm, f/16, 1/50 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Autumn Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens + TC-E III 20 teleconverter. (ISO 200, 1200 mm, f/11, 1/100 sec). (David J Mathre)
Waxing Gibbous Moon (75%). Image taken with a Nikon D3s camera and 600 mm f/4 VR lens + TC-E III 20 teleconverter. (ISO 200, 1200 mm, f/11, 1/100 sec). (David J Mathre)

Three-Years Ago (28-September-2008) — Utah

Gone to See American 2008 Road Trip. Driving from Grand Staircase – Escalante National Monument to Bryce National Park.

Double Rainbow in Utah. While driving between Grand Staircase – Escalante National Monument and Bryce National Park on Utah Highway 12 I saw a rainbow in my rear view mirror. I quickly pulled over just outside of Cannonville Utah and started taking some images. Before the rainbow was gone, many other cars pulled over to admire the view.

Double Rainbow in Utah. Image taken with a Nikon D3 and 14-24 mm f/2.8 lens (ISO 200, 17 mm, f/16, 1/125 sec). Raw image processed with Capture One Pro, Topaz Define (Color Jump), Topaz DeNoise, and Photoshop CS5. (David J Mathre)
Double Rainbow in Utah. Image taken with a Nikon D3 and 14-24 mm f/2.8 lens (ISO 200, 17 mm, f/16, 1/125 sec). Raw image processed with Capture One Pro, Topaz Define (Color Jump), Topaz DeNoise, and Photoshop CS5. (David J Mathre)

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One-Year Ago (25-September-2010) — California

Gone to See California: Point Reyes National Seashore.

I drove out to Point Reyes National Seashore to photograph the Lighthouse. I’ve tried to photograph this lighthouse on several previous occasions, but it was always shrouded in fog. I got there early in the morning, and this time it was very clear. In one image, the moon is above the lighthouse. Remembering my mentor Winston Hall telling us to always look behind you for a better picture, I turned around and saw this buck on a ridge in the early morning sunlight.

Moon over Point Reyes Lighthouse. Point Reyes National Seashore. Image taken with a Nikon D3x and 24 mm f/1.4 lens (ISO 200, 24 mm, f/11, 1/250 sec). (David J Mathre)
Moon over Point Reyes Lighthouse. Point Reyes National Seashore. Image taken with a Nikon D3s camera and 24 mm f/1.4 lens (ISO 200, 24 mm, f/11, 1/250 sec). (David J Mathre)
Morning Light at Point Reyes Lighthouse. Point Reyes National Seashore. Image taken with a Nikon D3x and 180 mm f/2.8 lens (ISO 100, 180 mm, f/4, 1/250 sec). (David J Mathre)
Morning Light at Point Reyes Lighthouse. Point Reyes National Seashore. Image taken with a Nikon D3x camera and 180 mm f/2.8 lens (ISO 100, 180 mm, f/4, 1/250 sec). (David J Mathre)
Early Morning Buck on a Ridge at Point Reyes National Seashore. Image taken with a Nikon D3x and 180 mm f/2.8 lens (ISO 100, 180 mm, f/2.8, 1/800 sec). (David J Mathre)
Early Morning Buck on a Ridge at Point Reyes National Seashore. Image taken with a Nikon D3x camera and 180 mm f/2.8 lens (ISO 100, 180 mm, f/2.8, 1/800 sec). (David J Mathre)