Three-Years Ago (09-April-2008) — Arizona

Page Arizona Photography Workshop with Winston Hall. Day 2: Upper Antelope Canyon.

Nik recently upgraded its Silver Efex Pro plug-in for Photoshop CS5 to version 2. The following images of the Upper Antelope Canyon were taken during a Page Arizona photography workshop lead by Winston Hall.  The raw images were processed with Capture One Pro, converted to tiff and transferred to Photoshop CS5, then converted to B&W using the new Silver Efex Pro plug-in. The conversion used the default “Fine Art #19” settings. Make a comment to this blog post, or send me an e-mail if you see the ghost in one of the images.

Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/4 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 1/4 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 15 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 24 mm, f/16, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 14-24 mm f/2.8 lens (ISO 200, 14 mm, f/16, 5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 48 mm, f/16, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 48 mm, f/16, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 32 mm, f/16, 8 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 32 mm, f/16, 8 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 29 mm, f/16, 2 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 29 mm, f/16, 2 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 25 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 25 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 10 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 30 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/11, 6 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 24 mm, f/16, 3 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 40. mm, f/16, 2.5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2 (David J Mathre)
Upper Antelope Canyon, Page Arizona. Image taken with a Nikon D3 camera and 24-70 mm f/2.8 lens (ISO 200, 40. mm, f/16, 2.5 sec). Image processed with Capture One Pro. Converted to B&W with NIK Silver Efex Pro 2

Thursday (24-March-2011) — California

Gone to See California. Day 5: Death Valley Spring 2011 Photography Workshop with Michael Mariant.

Before the workshop started, I joined Michael as he reconnoitered and GPS tagged a path to the Mesquite Flat Sand Dunes in Death Valley National Park. We would be going out to this location Friday and Sunday morning well before sunrise in the dark. The following images are of Michael going out to the sand dunes taken with a Leica X1 camera. The temperatures were cool by Death Valley standards, notice Michael wearing a green vest.

Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/800 sec). Image processed with Capture One Pro, Focus Magic, and converted to jpg for web with Photoshop CS5. (David J Mathre)
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/800 sec).
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/5.6, 1/500 sec). Image processed with Capture One Pro, Focus Magic, and converted to jpg for web with Photoshop CS5. (David J Mathre)
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/5.6, 1/500 sec).
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/1000 sec). Image processed with Capture One Pro, Focus Magic, and converted to jpg for web with Photoshop CS5. (David J Mathre)
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/1000 sec).
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/800 sec). Image processed with Capture One Pro, Focus Magic, and converted to jpg for web with Photoshop CS5. (David J Mathre)
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/800 sec).

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Monday (17-January-2011) — Florida

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 22: Back in the USA!

I arrived in Miami at about 5 AM, made it through immigrations but had to wait for my luggage. After going through customs I couldn’t directly recheck my luggage to Tampa because I didn’t have a boarding pass. It was a long walk to Terminal D. The problem with the boarding pass was I had multiple reservations on the AA flight. Once that was resolved, I had to go through security again. I just barely made it to the AA Tampa flight. The flight arrived in Tampa on time, but now we are waiting for the rain to stop so they can unload the luggage.

Jens Picking Me Up at Tampa International Airport (David J Mathre)
Jens Picking Me Up at Tampa International Airport

22-January-2011 edit: Check out Thom Hogan’s blog about being held hostage in southern Chile.

Saturday (15-January-2011) — Chile

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 20: Detained as Political Prisoners in Puerto Natales.

This morning the streets are quiet. There is black smoke from a bonfire to the east. There was a note under my door that said to have our bags ready to leave by 09:00. I don’t know if that means the roads will be open? If I don’t add more to this post, it may mean that we are moving — but that could be towards Punta Arenas or back to Argentina.


More info. The Red Cross list is now over 1000 stranded here in Puerto Natales. An additional 4000-5000 are stranded in the National Park.


An update from the Mathre family regarding the status of the photography trip to Patagonia:
(taken from David Mathre by Erik via a phone call)

As of 6:30 EST, the Red Cross has gotten the photography group along with about 1,000 others into a Red Cross temporary refugee center in Puerto Natales where they are awaiting transfer by bus to a local airport and then by Air Force transport planes to Punta Arenas or Calafate Argentina. Hopefully, from there they can catch a flight to Santiago. Starting Monday, the Red Cross hopes to start getting the 5,000 or so out of Torres del Paine National Park.


Standing in Line. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 5.1 mm, f/2.2, 1/100 sec). (David J Mathre)
Standing in Line. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 5.1 mm, f/2.2, 1/100 sec).
E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 10.7 mm, f/2.8, 1/30 sec). (David J Mathre)
E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 10.7 mm, f/2.8, 1/30 sec).
Waiting with our Luggage. E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 5.1 mm, f/2, 1/13 sec). (David J Mathre)
Waiting with our Luggage. E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 5.1 mm, f/2, 1/13 sec).
Waiting in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 320, 5.1 mm, f/2, 1/60 sec). (David J Mathre)
Waiting in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 320, 5.1 mm, f/2, 1/60 sec).
Certificate from the Gobernador of Southern Chile Documenting that we have been Detained in Puerto Natales. E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 160, 10.7 mm, f/2.8, 1/80 sec). (David J Mathre)
Certificate from the Gobernador of Southern Chile Documenting that we have been Detained in Puerto Natales. E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 160, 10.7 mm, f/2.8, 1/80 sec).
Chile Red Cross Worker in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 19.2 mm, f/3.3, 1/125 sec). (David J Mathre)
Chile Red Cross Worker in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 19.2 mm, f/3.3, 1/125 sec).
Waiting with our luggage in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 160, 5.1 mm, f/2, 1/60 sec). (David J Mathre)
Waiting with our luggage in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 160, 5.1 mm, f/2, 1/60 sec).
Sharing food from a Grocery Store Run in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 160, 5.1 mm, f/2, 1/60 sec). (David J Mathre)
Sharing food from a Grocery Store Run in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 160, 5.1 mm, f/2, 1/60 sec).
Pasta Lunch in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 400, 10 mm, f/2.6, 1/20 sec). (David J Mathre)
Pasta Lunch in the E 3 School Auditorium. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 400, 10 mm, f/2.6, 1/20 sec).
Red Cross/Chilean Military Buses and Truck. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 7.5 mm, f/4, 1/800 sec). (David J Mathre)
Red Cross/Chilean Military Buses and Truck. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 7.5 mm, f/4, 1/800 sec).
Chilean Military. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 17.1 mm, f/3.2, 1/200 sec). (David J Mathre)
Chilean Military. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 17.1 mm, f/3.2, 1/200 sec).
Chilean Military Luggage Transport Truck. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 6.4 mm, f/4, 1/800 sec). (David J Mathre)
Chilean Military Luggage Transport Truck. Red Cross Refuge Center, Puerto Natales E3 School. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 6.4 mm, f/4, 1/800 sec).
Passing the Road Blockade in the Red Cross Bus. Snapshot taken with a Leica D-Lux 5 camera (ISO 125, 6.4 mm, f/3.2, 1/500 sec). (David J Mathre)
Passing the Road Blockade in the Red Cross Bus. Snapshot taken with a Leica D-Lux 5 camera (ISO 125, 6.4 mm, f/3.2, 1/500 sec).
Red Cross Buses at the Puerto Natales Regional Airport. Snapshot taken with a Leica D-Lux 5 camera (ISO 125, 5.1 mm, f/4, 1/800 sec). (David J Mathre)
Red Cross Buses at the Puerto Natales Regional Airport. Snapshot taken with a Leica D-Lux 5 camera (ISO 125, 5.1 mm, f/4, 1/800 sec).
Puerto Natales Regional Airport Terminal. Snapshot taken with a Leica D-Lux 5 camera (ISO 250, 5.1 mm, f/2, 1/60 sec). (David J Mathre)
Puerto Natales Regional Airport Terminal. Snapshot taken with a Leica D-Lux 5 camera (ISO 250, 5.1 mm, f/2, 1/60 sec).
Luggage Carts Outside the Puerto Natales Regional Airport Terminal. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 5.1 mm, f/4, 1/800 sec). (David J Mathre)
Luggage Carts Outside the Puerto Natales Regional Airport Terminal. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 5.1 mm, f/4, 1/800 sec).
Chilean Pilot Outside the Puerto Natales Regional Airport Terminal. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 13.9 mm, f/2.9, 1/160 sec). (David J Mathre)
Chilean Pilot Outside the Puerto Natales Regional Airport Terminal. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 13.9 mm, f/2.9, 1/160 sec).
Chilean Air Force B-737 Refugee Transport at Puerto Natales Regional Airport (David J Mathre)
Chilean Air Force B-737 Refugee Transport at Puerto Natales Regional Airport
Aerial View of Puerto Natales. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 7.5 mm, f/2.5, 1/100 sec). (David J Mathre)
Aerial View of Puerto Natales. Snapshot taken with a Leica D-Lux 5 camera (ISO 80, 7.5 mm, f/2.5, 1/100 sec).

22-January-2011 edit: Check out Thom Hogan’s blog about being held hostage in southern Chile.

Friday (14-January-2011) — Chile

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 19: Detained as Political Prisoners in Puerto Natales.

Another day and nothing has changed much. The locals are still patrolling the town in cars with black flags (black garbage bags) or the local flag.  The vehicles range from old pickup trucks to high-end sports cars. We checked out of the hotel at noon, but will probably check in again in a bit. The locals tell us that we are not hostages since we can walk through the picket line and then walk 20-30 km with our luggage to the Argentine border (but don’t go off the road because of the minefields). They have not been letting ambulances through. There is a doctor here to do two kidney transplants in Punta Arenas that cannot get to the hospital. News has made it to the BBC, but we don’t see much if any coverage in the US press. There are several hundred tourists stranded here in Puerto Natales, many more in Punta Arenas, and 4000-5000 stranded in Torres del Paine National Park.  The protest is over the repeal of a fuel credit of ~$6/month for this region. All of the cars and trucks driving around for the last several days checking to see if each house has a black flag flying and making sure that we don’t try to sneak out have already burned through much more money.  This is going to devastate the economy in the region once the word gets out and tourist stop coming. The US Embassy in Santiago did finally issue a press release today to a Chile travel site (and not on the US State Dept site) — but no guidance or help getting out of the country.

Black Flag Protesters Patrol the streets of Puerto Natales (David J Mathre)
Black Flag Protesters Patrol the streets of Puerto Natales (David J Mathre)
Strikers on Patrol, Driving Through Puerto Natales. Snapshot taken with a Leica V-Lux 20 camera (ISO 125, 5.3 mm, f/5, 1/500 sec). (David J Mathre)
Strikers on Patrol, Driving Through Puerto Natales. Snapshot taken with a Leica V-Lux 20 camera (ISO 125, 5.3 mm, f/5, 1/500 sec).
Strikers on Patrol in Sports Car, Driving Through Puerto Natales. Snapshot taken with a Leica V-Lux 20 camera (ISO 125, 5.3 mm, f/5, 1/500 sec). (David J Mathre)
Strikers on Patrol in Sports Car, Driving Through Puerto Natales. Snapshot taken with a Leica V-Lux 20 camera (ISO 125, 5.3 mm, f/5, 1/500 sec).
Refuges Living Rough on the Street of Puerto Natales Cooking Lunch. Snapshot taken with a Leica V-Lux 20 camera (ISO 80, 49.2 mm, f/4.9, 1/250 sec). (David J Mathre)
Refuges Living Rough on the Street of Puerto Natales Cooking Lunch. Snapshot taken with a Leica V-Lux 20 camera (ISO 80, 49.2 mm, f/4.9, 1/250 sec).
Hotel and Rainbow. Snapshot taken with a Leica V-Lux 20 camera (ISO 80, 5.1 mm, f/5.4, 1/1000 sec). (David J Mathre)
Hotel and Rainbow. Snapshot taken with a Leica V-Lux 20 camera (ISO 80, 5.1 mm, f/5.4, 1/1000 sec).

22-January-2011 edit: Check out Thom Hogan’s blog about being held hostage in southern Chile.