Gone to See America 2008. Page Arizona Photography Workshop with Winston Hall. Day 1: Lower Antelope Canyon.
Comparison of HDR Express Default Processing Modes. I recently obtained HDR Express (from United Color) as a new HDR (High Dynamic Range) processing program. The following are examples of the default processing modes provided in HDR Express. The images were taken on this day in 2008 while on a Nikonians Academy Photography Workshop in Page Arizona with Winston Hall. Additional images from this day are in the 08-April-2008 Blog.
The first two images are the initial single image processed with Capture One Pro. The first “as is” — note the amount of the image over exposed (clipped) near the top and second “optimized” using the Capture One Pro tools to better balance the exposure. The following 13 images are composites of 5 over and under exposed images processed with HDR Express using the default processing modes: Optimum, Linear, Natural, Vivid, B&W, B&W Grunge, Dreamy, Vintage Color, Soft & Cold, Artistic, Blogger’s Delight, Artistic, Grunge, Retina Burn.
Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 1/4 sec).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 1/4 sec).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Vivid Profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Vintage Color profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Soft & Cold profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Retina Burn profile)Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Optimal Profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Natural Profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Linear Profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Grunge Profile)Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Dreamy Profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (BloggerLower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (B&W profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (B&W Grunge profile).Lower Antelope Canyon, Page Arizona. Image taken with a Nikon D3 and 24 mm f/3.5 PC-E lens (ISO 200, 24 mm, f/5.6, 0.1-0.6 sec). HDR composite processed from 5 images using United Color HDR Express (Artistic profile).
Backyard Springtime Nature in New Jersey. Life and Death.
The Forsythia and Cherry Trees are in bloom. While walking in my back yard I found the carcass of a young deer near my garden. It probably died during the long and snowy winter.
Forsythia Blooms. Spring in New Jersey. Image taken with a Leica D-Lux 5 (ISO 100, 7.5 mm, f/2.8, 1/250 sec)Cherry Tree in Bloom. Spring in New Jersey. Image taken with a Leica D-Lux 5 (ISO 100, 14.9 mm, f/3, 1/125 sec)Forsythia Bloom. Spring in New Jersey. Image taken with a Leica D-Lux 5 (ISO 100, 10.7 mm, f/2.8, 1/25 sec)Forsythia Bloom. Spring in New Jersey. Image taken with a Leica D-Lux 5 (ISO 100, 19.2 mm, f/3.3, 1/50 sec)Winter Death. Young Deer Caracas. Image taken with a Leica D-Lux 5 (ISO 100, 7.5 mm, f/2.3 , 1/30 sec). Image converted to B&W with Nik Silver Efex Pro 2.Winter Death. Young Deer Caracas. Image taken with a Leica D-Lux 5 (ISO 100, 14.9 mm, f/3 , 1/25 sec). Image converted to B&W with Nik Silver Efex Pro 2.
Gone to See California. Day 6: Death Valley Spring 2011 Photography Workshop with Michael Mariant.
We started the day before sunrise walking out to the Mesquite Flat Sand Dunes near Stovepipe Wells in Death Valley National Park. The objective for this location was to focus on lines, shapes, and textures as the sun rose and the shadows moved across the dunes. The first image is of morning shadows on the sand dunes. The next two are the same image of the dunes taken by Michael Mariant using my Leica X1 camera. The first is the “out of the camera” jpg, the 2nd the raw (dng) image processed with Capture One Pro attempting to minimize the amount of the upper right being blown out.
Sand Dune Morning Shadows, Death Valley NP. Image taken with a Nikon D3x and 50 mm f/1.4 G lens (ISO 100, f/8, 1/500 sec). Image processed with Capture One Pro, Focus Magic, and converted for web with Photoshop CS5.Sand Dune Morning Shadows, Death Valley NP. Image taken by Michael Mariant with my Leica X1 (ISO 100, 24 mm, f/10, 1/60 sec). Out of the Camera jpg.Sand Dune Morning Shadows, Death Valley NP. Image taken by Michael Mariant with my Leica X1 (ISO 100, 24 mm, f/10, 1/60 sec). Image processed with Capture One Pro.
Gone to See California. Day 5: Death Valley Spring 2011 Photography Workshop with Michael Mariant.
Before the workshop started, I joined Michael as he reconnoitered and GPS tagged a path to the Mesquite Flat Sand Dunes in Death Valley National Park. We would be going out to this location Friday and Sunday morning well before sunrise in the dark. The following images are of Michael going out to the sand dunes taken with a Leica X1 camera. The temperatures were cool by Death Valley standards, notice Michael wearing a green vest.
Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/800 sec).Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/5.6, 1/500 sec).Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/1000 sec).Michael Mariant Marking a GPS Trail to the Mesquite Flat Sand Dunes, Death Valley National Park. Image taken with a Leica X1 camera (ISO 100, 24 mm, f/6.3, 1/800 sec).
Backyard Late-Winter Nature in New Jersey. Two Days to Spring — Daffodils in Bloom.
The weather report for next week indicates the possibility of rain, sleet, and snow. I would rather be in a desert viewing spring wildflowers — hint, hint.
Daffodils in Bloom — Two Days from Spring. Image taken with a Leica X1 (ISO 100, 24 mm, f/3.2, 1/1000 sec).
