More firefly trails. I found that I can do exposures longer than 30 seconds on the Fuji X-H1 camera. However, at the cost of more sensor noise. The image required more post processing to remove the red and blue noise pixels.
Firefly Trails. Composite of 551 images taken with a Nikon D5 camera and 200 mm f/2 lens (ISO 1600, 200 mm, f/5.6, 30 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum). (David J Mathre)Firefly Trails. Composite of 170 images taken with a Fuji X-H1 camera and 56 mm f/1.2 lens (ISO 1600, 200 mm, f/8, 120 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum). (David J Mathre)Firefly Trails. Composite of 167 images taken with a Nikon D810a camera and 58 mm f/1.4 lens (ISO 800, 58 mm, f/8, 120 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum). (David J Mathre)
More firefly trails shot from my backdoor. It was a bit warmer out. With the Nikon D5 and 200 mm f/2 lens I moved the focus a bit closer to the camera so the flashes at a distance had more Bokah.
Firefly Trails. Composite of 541 mages taken with a Nikon D5 camera and 200 mm f/2 lens (ISO 1600, 200 mm, f/11, 30 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)Firefly Trails. Composite of 188 mages taken with a Nikon D810a camera and 58 mm f/1.4 lens (ISO 800, 58mm, f/8, 120 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)Firefly Trails. Composite of 656 mages taken with a Fuji X-H1 camera and 56 mm f/1.2 lens (ISO 3200, 56 mm, f/8, 30 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)Firefly Trails. Composite of 656 mages taken with a Fuji X-H1 camera and 56 mm f/1.2 lens (ISO 3200, 56 mm, f/8, 30 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)
The last few nights were not good for firefly viewing due to rain and cool temperatures. I took a chance with three cameras last night and it didn’t rain. The brown in the second image is where the “mile-a-minute” invasive vine is being eliminated.
Firefly Trails. Composite of 546 images taken with a Nikon D5 camera and 200 mm f/2 lens (ISO 1600, 200 mm, f/11, 30 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)Firefly Trails. Composite of 615 images taken with a Fuji X-H1 camera and 56 mm f/1.2 lens (ISO 3200, 56 mm, f/8, 30 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)Firefly Trails. Composite of 187 images taken with a Nikon D810a camera and 58 mm f/1.4 lens (ISO 800, 58 mm, f/8, 120 sec). Raw images processed with Capture One Pro and Photoshop CC (statistics, maximum) (David J Mathre)
Gone to See Europe. Semester at Sea Spring 2013 Enrichment Voyage on the MV Explorer. Day 47: Kiel Canal, Germany.
I was part of a team of six photographers that took ~30,000 images as the MV Explorer (Semester at Sea Spring 2013 Enrichment Voyage) transits the Kiel Canal in Germany.Howard Ignatius used the images to create this time-lapse video of the passage through the canal.
Gone to See Europe. Semester at Sea Spring 2013 Enrichment Voyage on the MV Explorer. Day 45: At Sea between Stockholm and Copenhagen.
Late night or early in the morning (hard to tell this far north when there isn’t much darkness at night) I looked out my cabin window on the MV Explorer and saw the electric blue Noctilucent clouds. I read about them before (http://www.spaceweather.com/), but had never seen them. The clouds are ice crystals that are very high that you can only see for a short time when the sun is below the horizon. One theory is the crystals are nucleated when micro-meteors pass through the upper atmosphere. We were in the Baltic Sea traveling from Stockholm to Copenhagen and the sun doesn’t set until very late I set up a camera in my cabin and started taking pictures.(Nikon D4 camera, 28 mm f/1.8 lens (ISO 200 or 800, 28 mm, f/1.8, 1 sec)). The composite images were generated using Photoshop CC (statistics, maximum) the way I do generate star trails. I was impressed that you can see the star trails looking north, even though this is a composite of images taken on a moving ship at sea. The seas were pretty calm that night (early morning).
Noctilucent Clouds Over the Baltic Sea. From my cabin on the MV Explorer while traveling from Stockholm to Copenhagen. Composite of 99 images taken with a Nikon D4 camera and 28 mm f/1.8 lens (ISO 200, 28 mm, f/1.8, 1 sec). Raw image processed with Capture One Pro, and Photoshop CC (statistics, maximum). (David J Mathre)
Noctilucent Clouds Over the Baltic Sea. From my cabin on the MV Explorer while traveling from Stockholm to Copenhagen. Composite of 33 images taken with a Nikon D4 camera and 28 mm f/1.8 lens (ISO 800, 28 mm, f/1.8, 1 sec). Raw image processed with Capture One Pro, and Photoshop CC (statistics, maximum). (David J Mathre)
Noctilucent Clouds Over the Baltic Sea. From my cabin on the MV Explorer while traveling from Stockholm to Copenhagen. Composite of 27 images taken with a Nikon D4 camera and 28 mm f/1.8 lens (ISO 800, 28 mm, f/1.8, 1 sec). Raw image processed with Capture One Pro, and Photoshop CC (statistics, maximum). (David J Mathre)