I am a scientist by training (Eckerd College, BSc; Caltech, Ph.D.). I worked for 27 years as a Chemist in the Pharmaceutical Industry developing processes to manufacture medicines for human and animal health. I now spend my time as a photographer and world traveler. My interests include the natural world, wildlife, landscapes, sky, and seascapes, travel, and astrophotography. I look for unique ways of viewing the world and presenting my images. I have traveled to over 55 countries in six continents, often on Semester at Sea voyages. While at home in New Jersey, I spend time on home renovation and expansion of a wildflower garden/meadow.
Gone to See Norway 2007 Family Vacation. Day 2: Oslo.
This was the beginning of the extended family winter vacation in Norway. Our first full day was in Oslo. Some of the children in the group had never seen snow before. A long day with many things to see and do as well as adjust to the time difference.
Winter in Oslo Norway (David J Mathre)Winter in Oslo Norway (David J Mathre)National Theater and Ibsen. Winter in Oslo Norway (David J Mathre)National Theater and Ibsen. Winter in Oslo Norway (David J Mathre)Nobel Peace Center. Winter in Oslo Norway (David J Mathre)Winter in Oslo Norway (David J Mathre)Winter in Oslo Norway (David J Mathre)Winter in Oslo Norway (David J Mathre)Artillery Guarding Oslo at the Akeshus Fortress. Winter in Oslo Norway. (David J Mathre)Roald Amundsen. Arctic Museum, Winter in Oslo Norway (David J Mathre)Roald Amundsen. Arctic Museum, Winter in Oslo Norway (David J Mathre)Family in Norway, Winter in Oslo Norway (David J Mathre)Glass Menagerie, National Theater, Winter in Oslo Norway (David J Mathre)Orchids, Winter in Oslo Norway (David J Mathre)
Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 15: Torres del Paine National Park, Departing Hosteria Lago Grey Chile.
Early Morning Double Rainbow in Patagonia. Comparison of HDR (High Dynamic Range) Processing Programs. Digital camera sensors are not able to deal with the full dynamic range that the human eye can process. The same is true with computer monitors and printers. There are several commercial programs that will combine over and under exposed digital images to provide a composite digital image that tries to express the wider dynamic range of the eye. I continue to evaluate the commercial HDR programs. The following images are of an early morning double rainbow taken at Lago Grey in Torres del Paine National Park in Chile during my Photography Workshop in Patagonia with Thom Hogan (10-January-2011). The inital image is the original single exposure. This is followed by four HDR images processed with 1) Photoshop CS5 HDR Pro, 2) Photomatix Pro, 3) Nik HDR Pro, and 4) HDR Express Pro. Please reply with comments on which HDR image you like or don’t like.
Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6, 1/25 sec).Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photoshop CS5 HDR ProEarly Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photomatix ProEarly Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using NIK HDR ProEarly Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using HDR Express
Backyard Winter Night Sky in New Jersey: Star Trails and Quadranitids Meteors.
The sky was clear last night so I set up two cameras to record the night sky. The SpaceWeather site reported that the Quadrantids meteor shower should peak in the early morning hours. The Nikon D3x with a 24 mm f/1.4G lens was set up to look north above my roof. I used an external power supply for this camera so I wouldn’t need to change batteries during the night. The second camera was a Nikon D3 with a 14-24 mm f/2.8 lens looking south. For both cameras, I used the MC-35 remote set for 59 second exposures, once a minute (the extra second is needed to transfer the image from the camera to the memory card). It was cold (getting down to 10° F), and I was glad that at least one camera was using an external power supply. I had to change the battery in the D3 every 2 hours, and even then it was so cold that the battery ran out before the time. The following are a meteor trail image and a time-lapsed video of everything from the night.
Quadrantids Meteor Trail. Night Sky Over New Jersey. Image taken with a Nikon D3x and 24 mm f/1.4G lens (ISO 100, 24 mm, f/2, 59 sec). (David J. Mathre)
Backyard Winter Night Sky over New Jersey: Moon in Conjunction with Jupiter.
Jupiter is in Conjunction with the Moon Tonight. If you get a chance, go out and look. (http://www.spaceweather.com/). Jupiter is the small dot in the bottom right, about 4° from the moon. Image taken with a Nikon D3x and 300 mm f/2.8 lens (ISO 100, 300 mm, f/5.6, 1/100 sec).
Moon with Jupiter in Conjunction. Image taken with a Nikon D3x and 300 mm f/2.8 VR lens (ISO 100, 300 mm, f/5.6, 1/100 sec). (David J Mathre)
Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 6: Hosteria El Pilar, El Chalten, Laguna Torre, Parque Nacional Los Glaciaries.
Composite Panorama Image Processing.
There are several image processing programs available to combine images to afford wider panorama images. The images of Laguna Torre were taken on a hike from El Chalten in Parque Nacional Los Glaciares while on a Photography Workshop in Patagonia with Thom Hogan on 01-January-2011. Three examples shown below have four portrait orientation images combined using Photoshop CS5, AutoPano Giga 2.5, and PTGui. All three composite images were cropped to the largest rectangle: Photoshop (11865 x 5814), AutoPano (12572 x 6266), and PTGui (12091 x 5979). Photoshop did the best job in minimizing the stitching artifacts in the water. AutoPano Giga did the best job in including the most image area — our hiking guide in the far lower right corner of the image is not cut off
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using Photoshop CS5.Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using AutoPano Giga Pro.Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using PTGui Pro.