Sunday (20-January-2013) — New Jersey

Technology: Geo-Tagging Image Metadata.

I really like the ability to have GPS data imbedded within the metadata of my images. It helps me remember exactly where I took the image, and especially now with Google Maps and Bing Map be able to zoom in from a satellite image. For a few years I had been using various Solmeta GPS devices that plugged into the 10-pin adapter on Nikon camera bodies. Unfortunately, during a winter photography workshop in Yosemite the device managed to short out the electronics in my brand new Nikon D3x. Ouch. The camera had to be sent back to Nikon to be repaired, and because the failure was caused by a non-Nikon device the repair was not covered under warranty. Since then I have been wary of attaching a GPS device directly to the camera.

The solution since then was to add GPS location data to the image metadata after downloading the images to my computer. I have a Garmin Rino 530Cx device that I used to record GPS tracking information. Many smart phones can do the same thing. You just need to be able to download the GPS tracking information, and extract the time-based location data. You do need to make sure that the clock in the camera is relatively accurate (including time-zone and daylight savings adjustment). You can then compare the time that an image was taken with the GPS location and add the location to the metadata. Doing this one image at a time, however takes too long.

The current versions of Nikon View NX2 and Lightroom 4 have a feature where the GPS metadata can be added to many images. I prefer using View NX2 because the information can be added to the RAW image files (as well as JPG and TIFF image files). With Lightroom 4, the GPS data is added to a sidecar file for proprietary RAW images — although the data is added directly to JPG, TIFF, PSD, and DNG image files.

The process to add GPS location data to image metadata within View NX2 is as follows. (1) Select the files to update (limited to 500 images at a time). (2) From the Edit tab, select Log Matching — OK the GeoTag message.

GeoTag-1202013-42920-PM

(3) Add the *.GPX file that contains the GPS log data for the time period that the images were taken. [Other supported GPS log files include *.nmea, *.nma, and *.log. There is also an option to correct for differences between camera time and GPS time if you didn’t synchronize the time between the camera and GPS before hand.] (4) The program will then compare the image time with the GPS log file and place an x next to the images that will be updated. If there was GPS data in the image files, the new data will be shown in Red. (5) Select Save — Yes to overwrite the GPS data.

Log-Matching-1202013-44019-PM

After updating the GPS location metadata in the image files, I need to update the database catalogs in Lightroom: (1) Library – Select the image files to be updated (2) Metadata – Read metadata from file [Note that this will overwrite any metadata added since the image file had been added to the Lightroom Catalog.]

Within Media One Pro, updating the image database is a little bit different: (1) Within the Organize Panel Window (clt-5) Select the images to update (2) From the Action Tab select Rebuild Item (ctl-B). One could write a script to do this.

One gotcha that I ran into is that even though the current version of View NX2 (2.7.1 64 bit) was updated to handle Nikon 1 V2 Raw files, if the metadata for these files is updated with GPS data as described above, the updated file is no longer recognized by View NX2. For now that is not a problem for me since I am using the Nikon GPS attachment with the Nikon 1 V2 camera.

One other note, you do need to be connected to the internet to use these features since there is a strong connection to Google Maps.

Thursday (10-January-2013) — Florida

Gone to See America. January 2013 Florida Road Trip. Day 7: Merritt Island.

Before starting my drive back to New Jersey, I spent the morning on Merritt Island. First for sunrise at Playalinda Beach at Canaveral National Seashore, then for a drive through Merritt Island National Wildlife Refuge — both along Bio Lab Road and Black Point Wildlife Drive. The previous day there was heavy fog in the morning so I didn’t go to Playalinda beach. This beach is favored by surf fishermen.

Rather that using the big telephoto lenses, all of the images on this day were taken with a Nikon D700 camera with a 28-300 mm VR lens, a Leica X2 camera, or a Nikon 1 V2 camera and 18.5 mm f/1.8 lens. All hand-held, no tripod.

Tern and Two Fisherman at Sunrise. Playalinda Beach, Canaveral National Seashore in Florida. Image taken with a Nikon 1 V2 camera and 18.5 mm f/1.8 lens (ISO 200, 18.5 mm, f/4, 1/1000). (David J. Mathre)
Tern and Two Fisherman at Sunrise. Playalinda Beach, Canaveral National Seashore in Florida. Image taken with a Nikon 1 V2 camera and 18.5 mm f/1.8 lens (ISO 200, 18.5 mm, f/4, 1/1000). (David J. Mathre)
Great Blue Heron on One Leg in the Early Morning Sun. Bio Lab Road in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 200, 300 mm, f/9, 1/320 sec). (David J Mathre)
Great Blue Heron on One Leg in the Early Morning Sun. Bio Lab Road in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 camera and 28-300 mm VR lens (ISO 200, 300 mm, f/9, 1/320 sec). (David J Mathre)
Two Roseate Spoonbills in a Formation of Pelicans. Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 200, 300 mm, f/11, 1/500 sec). (David J Mathre)
Two Roseate Spoonbills in a Formation of Pelicans. Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 camera and 28-300 mm VR lens (ISO 200, 300 mm, f/11, 1/500 sec). (David J Mathre)
Only the Eyes and Snout of the Alligator are Visible View on a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 200, 300 mm, f/6.3, 1/320 sec) (David J Mathre)
Only the Eyes and Snout of the Alligator are Visible View on a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 camera and 28-300 mm VR lens (ISO 200, 300 mm, f/6.3, 1/320 sec) (David J Mathre)
Can You Find the Alligator? Reflections on a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5.6, 1/2000). (David J Mathre)
Can You Find the Alligator? Reflections on a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5.6, 1/2000). (David J Mathre)
Can You Find the Alligator? Reflections on a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5.6, 1/640). In camera B&W. (David J Mathre)
Can You Find the Alligator? Reflections on a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/5.6, 1/640). In camera B&W. (David J Mathre)
Florida Alligator Waiting for the Morning Sun to Get Warm in a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 640, 300 mm, f/5.6, 1/320 sec) (David J Mathre)
Florida Alligator Waiting for the Morning Sun to Get Warm in a Canal along Black Point Wildlife Drive in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 camera and 28-300 mm VR lens (ISO 640, 300 mm, f/5.6, 1/320 sec) (David J Mathre)
Great Blue Heron on a Cedar. Looking Up Through the Sunroof. Black Point Wildlife Road in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 200, 300 mm, f/9, 1/320 sec). (David J Mathre)
Great Blue Heron on a Cedar. Looking Up Through the Sunroof. Black Point Wildlife Road in Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 camera and 28-300 mm VR lens (ISO 200, 300 mm, f/9, 1/320 sec). (David J Mathre)

Sunday (06-January-2013) — Florida

Gone to See Florida 2013 Road Trip. Day 3: Foggy Morning in St. Petersburg.

When I woke up this morning and looked out from the balcony of my room at the Vinoy hotel it was foggy. I couldn’t even see the St. Petersburg Pier that I had been taking images for a time-lapsed video the previous night. I had hoped to go to Fort De Soto park for both sunrise and bird photography today — but it was way too foggy. Initially I could barely see the palm trees. At 11 AM, I still couldn’t see the Pier.

Foggy Morning in St. Petersburg from a Balcony at the Vinoy Hotel. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/3.5, 1/80 sec). Converted to B&W with NIK Silver Efex Pro 2. (David J Mathre)
Foggy Morning in St. Petersburg from a Balcony at the Vinoy Hotel. Image taken with a Leica X2 camera (ISO 100, 24 mm, f/3.5, 1/80 sec). Converted to B&W with NIK Silver Efex Pro 2. (David J Mathre)

Saturday (05-January-2013) — Florida

Gone to See Florida 2013 Road Trip. Day 2: St. Petersburg.

While visiting my parents in St. Petersburg, I found this Crab Spider on her web. I had never seen a crab spider during all the years that I lived in Florida. The first one I saw, eating a fly was at Selby Gardens a few years ago 26-December-2006. Now it seems that I see one every time I visit Florida.

Underside of a Crab Spider on its web. Urban garden nature in St. Petersburg. Image taken with a Nikon D800 and 105 mm f/2.8G VR macro lens + SB-910 flash (ISO 100, 105 mm, f/16, 1/60 sec). (David J Mathre)
Underside of a Crab Spider on its web. Urban garden nature in St. Petersburg. Image taken with a Nikon D800 and 105 mm f/2.8G VR macro lens + SB-910 flash (ISO 100, 105 mm, f/16, 1/60 sec). (David J Mathre)

Two-Years Ago (02-January-2011) — Argentina

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 7: Night Sky in Patagonia.

I got up really early before dawn to see the night sky in the southern hemisphere. I’ve wanted to see the Southern Milky Way and the Large and Small Magellanic Clouds. This was the first time that I saw the Orion constellation upside down. I don’t recognize many of the other stars and southern constellations. Images  while staying at Hosteria El Pilar in El Chalten in Argentina.

Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 400, 16 mm, f/4, 30 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 400, 16 mm, f/4, 30 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16-35 mm f/4 lens (ISO 400, 28 mm, f/4.5, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16-35 mm f/4 lens (ISO 400, 28 mm, f/4.5, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 400, 16 mm, f/4, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 400, 16 mm, f/4, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 400, 16 mm, f/4.5, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 400, 16 mm, f/4.5, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16-35 mm f/4 lens (ISO 400, 28 mm, f/4.5, 58 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3x and 16-35 mm f/4 lens (ISO 400, 28 mm, f/4.5, 58 sec) (David J Mathre)
Southern Hemisphere Milky Way. Image taken with a Nikon D3x and 50 mm f/1.4 G lens (ISO 100, f/4, 50 sec) (David J Mathre)
Southern Hemisphere Milky Way. Image taken with a Nikon D3x and 50 mm f/1.4 G lens (ISO 100, f/4, 50 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3s and 50 mm f/1.4G (ISO 12800, 50 mm, f/2, 1/15 sec) (David J Mathre)
Night Sky in Patagonia. Hosteria El Pilar, El Chalten, Argentina. Image taken with a Nikon D3s and 50 mm f/1.4G (ISO 12800, 50 mm, f/2, 1/15 sec) (David J Mathre)