David's Images of the Day Photoblog
Doe Portrait Session. When I got home from work, I noticed a couple of young deer in the backyard. I quickly went in and picked up the camera with the 600 mm telephoto lens that I used last night for the moon. I didn’t have time to set up a tripod or find the monopod, so these images are hand-held. One does not hand-hold this lens for very long. I forgot that the TC-E III 20 teleconverter was still on the camera, so 1200 mm.
With a clear sky, and bright waxing gibbous moon I experimented ways to acquire sharp images of the moon through a 600 mm f/4 VR telephoto lens. The lens is mounted on a tripod with a Wimberley gimble tripod head. VR is turned off, and the camera set for “mirror up” mode. I used a remote release, and let the system stabilize for 30 seconds (time-out for mirror up) before the shutter would be triggered. The first five images are #1 (f/16, 1/50 sec); #2 (f/11, 1/100 sec); #3 (f/8, 1/200 sec); #4 (f/5.6, 1/400 sec); and #5 (f/4, 1/800 sec). I think the best was #4 (f/5.6, 1/400 sec), although all were pretty good. The next two images used a TC-E III 20 teleconverter for an effective focal length of 1200 mm #6 (f/16, 1/50 sec); #7 (f/11, 1/100 sec). Here I think #7 (f/11, 1/100 sec) is best. With the additional magnification, a faster shutter speed is needed to counteract the motion of the moon.
I also made several DSLR videos of the moon, since I was using my Nikon D3s camera body. When I reviewed the videos, I saw that I had captured at least two satellite transits in front of the moon. These transits are less than 1 second long. Subject for another post.
After several days having problem with taking video images of the moon with the Nikon D3s, I finally figured out what the problem was. I was pointed to a reference on the net about an undocumented feature in Live View that impacts video capture (Thanks to Howard Ignatius). The secret sauce is “use the OK button”
“- There is some misinformation online stating that the camera does not allow true manual control over ISO, shutter speed, and aperture in video mode. That is absolutely not true. The feature is undocumented for some reason, but if you hit the OK button while in live view, a light meter will appear and it switches to whatever mode that you currently have set on the camera (manual, aperture priority, etc). That means if you’re on manual, then you can adjust all of your settings as you please. Push the INFO button to cycle through different display modes, including a live histogram, horizon level, grid, etc.” http://www.davidbergman.net/blog/how-to-get-manual-exposure-video-mode-on-the-nikon-d3s/
Bottom line, I now have manual control of the camera when taking videos!!!!!
The following video contains 15 second segments of the moon with different telephoto lenses comparing with and without the lens “vibration reduction” being enabled. When on tripod there is a difference. Let me know if you see the difference. The telephoto lenses and telescope used include the 600 mm f/4 VR, 600 mm f/4 VR + TC-E III 20 (1200 mm), 500 mm f/4 VR, 500 mm f/4 + TC-E III 20 (1000 mm), 400 mm f/2.8, 400 mm f/2.8 + TC-E III 20 (800 mm), 300 mm f/2.8, 300 mm f/2.8 + TC-E III 20 (600 mm), and Questar 3.5″ telescope (~1500 mm). The video was put together using Adobe CS5 Premiere Pro.
I’ve also included a still image of the waxing gibbous moon (97%) taken with the Nikon D3s and Questar 3.5″ telescope (ISO 1600, ~1500 mm, f/16, 1/1000 sec).
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While reading the commentary on Thom Hogon’s site today, I saw that B&H (and other vendors) had received new Nikon 500 mm and 600 mm f/4 VRII Super Telephoto lenses and still have some available for sale. These have been in short supply for a long time, and may be in even shorter supply for an even longer time since the earthquake in Japan. I held out and did not place an order (and thus didn’t help the economy by spending nearly $20K). This was hard, since I missed many great photo opportunities while on the Semester at Sea, Spring Enrichment Voyage — Ultimate Travel Photography Workshop (UTPW-II) earlier this month. Several of the folks attending the workshop had the larger 500 mm and 600 mm lenses and were able to get some great images that made those of us with lighter kits (70-300 or 80-400) jealous.
