One-Year Ago (17-January-2016) — Pacific Ocean

Gone to See the World. Semester at Sea Spring 2016 Voyage on the MV World Odyssey. Day 12: Crossing the Pacific Ocean.

Sunrise over the Pacific Ocean including a series of four images of the solar disk. The closest I’ve been catching the “Green Flash” at sunrise. Images taken with a Nikon N1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/5.6, 1/500 sec). Field of View equivalent to an 810 mm lens on a 35 mm sensor camera.

Panorama of the sun rising over the Pacific Ocean from the aft deck of the MV World Odyssey. Composite of two images taken with a Fuji X-T1 camera and 35 mm f/1.4 lens (ISO 200, 35 mm, f/11, 1/250 sec). (David J Mathre)
Panorama of the sun rising over the Pacific Ocean from the aft deck of the MV World Odyssey. Composite of two images taken with a Fuji X-T1 camera and 35 mm f/1.4 lens (ISO 200, 35 mm, f/11, 1/250 sec). (David J Mathre)


Student photographer at sunrise showing me her selfie otn the deck of the MV World Odyssey. Image taken with a Fuji X-T1 camera and 35 mm f/1.4 lens (ISO 200, 35 mm, f/5.6, 1/125 sec). (David J Mathre)
Student photographer at sunrise showing me her selfie otn the deck of the MV World Odyssey. Image taken with a Fuji X-T1 camera and 35 mm f/1.4 lens (ISO 200, 35 mm, f/5.6, 1/125 sec). (David J Mathre)

One-Year Ago (11-January-2016) — Pacific Ocean

Gone to See the World. Semester at Sea Spring 2016 Voyage on the MV World Odyssey. Day 7: Crossing the Pacific Ocean.

Up early to see the dawn colors develop, then transition to sunrise. The Brown Booby continued to follow (or lead) the ship. There were low clouds on the horizon, so no green flash. You could see three sunspots on the solar disk before it disappeared before sunset. I normally wouldn’t point a camera with a big lens at the sun. It’s not as much a problem with the mirrorless cameras where you are not looking directly at the sun (rather a video image) and when the sky at the horizon becomes the multi-stop filter due to haze (humidity or pollution). The closer we got to Asia, this actually became an issue when the sun would disappear 15 minutes to half an hour before sunset.

Dawn from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Composite of six images taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2, 1/60 sec). Images processed with Capture One Pro, Kolor AutoPano Giga Pro and Photoshop CC. (David J Mathre)
Dawn from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Composite of six images taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2, 1/60 sec). Images processed with Capture One Pro, Kolor AutoPano Giga Pro and Photoshop CC. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. In camera panorama taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/8, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. In camera panorama taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/8, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Brown Booby flying beside the MV World Odyssey as we crossed the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 160, 300 mm, f/5.6, 1/500 sec). (David J Mathre)
Brown Booby flying beside the MV World Odyssey as we crossed the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 160, 300 mm, f/5.6, 1/500 sec). (David J Mathre)
Sunset through wet glass. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Sunset through wet glass. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Premature Sunset through low clouds on the horizon. Check out the sunspots. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/8, 1/500 sec). (David J Mathre)
Premature Sunset through low clouds on the horizon. Check out the sunspots. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/8, 1/500 sec). (David J Mathre)

One-Year Ago (08-January-2016) — Pacific Ocean

Gone to See the World. Semester at Sea Spring 2016 Voyage on the MV World Odyssey. Day 4: Crossing the Pacific Ocean.

Morning sun and clouds with Crepuscular rays (God’s rays) from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Semester at Sea, Spring 2016 Voyage — Day 4. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/14, 1/500 sec). Image processed with Capture One Pro.

The colors look weird on the first image because I was having problems with the camera. It didn’t matter what I set the white balance to, the camera processed the image at ~3480 °K (with a tint of -17). ARRG!!!

Fortunately, I could fix the problem while processing the image by changing the white balance to “sunny” 5550 °K. The second image looks much closer to how I remember the scene.

This is also the reason I take more than one camera with me while traveling. I was burned in Patagonia when the Leica T camera locked-up, and I couldn’t take pictures with the camera for the rest of the trip. Then in Antarctica the Leica T had this bad habit of freezing (no pun intended) when the outside temperature was below freezing (32 °F / 0 °). Once the camera warmed up, it worked again. I can’t believe that a camera designed and manufactured in Germany can’t take temperatures colder than this???? I also had a Nikon Df camera fail in Antarctica when the shutter buckled. This was the only camera on that trip that had a telephoto lens (80-400 mm) to take bird pictures. I had to make do with the Leica T, and Fuji X-T1. Many of the countries and places I visit do not have camera repair shops or even camera shops where I could purchase a replacement.

Morning sun and clouds with Crepuscular rays (God's rays) from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/14, 1/500 sec). Raw image processed with Capture One Pro. (David J Mathre)
Morning sun and clouds with Crepuscular rays (God’s rays) from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/14, 1/500 sec). Raw image processed with Capture One Pro. (David J Mathre)
Morning sun and clouds with Crepuscular rays (God's rays) from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/14, 1/500 sec). Raw image processed with Capture One Pro (including correction of white-balance). (David J Mathre)
Morning sun and clouds with Crepuscular rays (God’s rays) from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/14, 1/500 sec). Raw image processed with Capture One Pro (including correction of white-balance). (David J Mathre)

One-Year Ago (07-January-2016) — Pacific Ocean

Gone to See the World. Semester at Sea Spring 2016 Voyage on the MV World Odyssey. Day 3: Crossing the Pacific Ocean.

This was our first day of classes. I woke at 05:00, and it was still dark out. As it got close to sunrise we had some clouds and light rain. I set up a camera with a fisheye lens to take a time-lapsed video of the ocean from my cabin window (shown at the end of this post). The MV World Odyssey is much more opulent than the MV Explorer (the previous ship used by Semester at Sea). When Semester at Sea is not leasing the MV World Odyssey, it reverts back to the German cruise ship — MV Deutschland. During the voyage I would use the statues and other artwork on the MV World Odyssey in my images. I signed up for the “Energy for the World” class taught by John Tyner.

Pink clouds over the MV World Odyssey at dawn. Semester at Sea, 2016 Spring Semester Voyage. Day 3 of 102. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 400, 23 mm, f/3.5, 1/30 sec). (David J Mathre)
Pink clouds over the MV World Odyssey at dawn. Semester at Sea, 2016 Spring Semester Voyage. Day 3 of 102. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 400, 23 mm, f/3.5, 1/30 sec). (David J Mathre)
Bronze statue of a woman and seagull leading the MV World Odyssey while crossing the Pacific Ocean. Semester at Sea, 2016 Spring Semester Voyage. Day 3 of 102. Image taken with a Leica T camera and 11-23 mm lens (ISO 100, 14 mm, f/14, 1/125 sec). (David J Mathre)
Bronze statue of a woman and seagull leading the MV World Odyssey while crossing the Pacific Ocean. Semester at Sea, 2016 Spring Semester Voyage. Day 3 of 102. Image taken with a Leica T camera and 11-23 mm lens (ISO 100, 14 mm, f/14, 1/125 sec). (David J Mathre)


Signed prints and digital downloads of images in the slideshow are available for purchase at my image gallery David Mathre Photography

One-Year Ago (06-January-2016) — Pacific Ocean

Day 2 of 102. Semester at Sea, Spring 2016 Voyage. Crossing the Pacific Ocean from Mexico to Hawaii.

This was our first full day at sea. I woke at 05:30. Both the moon and Venus were visible before sunrise. The seas were calmer than during the night. I was not impacted, but I know some of the folks were sea-sick. Like my previous Semester at Sea voyages (six Enrichment, two Semester), I made it a goal to take pictures at dawn, sunrise, sunset, and dusk on as many days as possible. It did mean missing a lot of sleep, but there is something special about sunrise and sunset at sea. I hope you enjoy some of these images over the next 100+ days. The first day at sea was mainly orientation sessions, and time for those that have not been to sea before to get used to the motion on the ship. Classes started on the next day. Latter in the afternoon while walking around the ship, I found one of the students working on watercolor painting in the late afternoon sun.

Moon, Venus, and clouds over the Pacific Ocean at dawn from the deck of the MV World Odyssey. Semester at Sea, 2016 Spring Semester Voyage. Day 2 of 102. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 1250, 23 mm, f/2, 1/80 sec). (David J Mathre)
Moon, Venus, and clouds over the Pacific Ocean at dawn from the deck of the MV World Odyssey. Semester at Sea, 2016 Spring Semester Voyage. Day 2 of 102. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 1250, 23 mm, f/2, 1/80 sec). (David J Mathre)
Grace working on a watercolor painting in the late afternoon sun. Aft deck of the MV World Odyssey crossing the Pacific Ocean. Semester at Sea, 2016 Spring Semester Voyage. Day 2 of 102. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/2, 1/80 sec). (David J Mathre)
Grace working on a watercolor painting in the late afternoon sun. Aft deck of the MV World Odyssey crossing the Pacific Ocean. Semester at Sea, 2016 Spring Semester Voyage. Day 2 of 102. Image taken with a Leica T camera and 23 mm f/2 lens (ISO 100, 23 mm, f/2, 1/80 sec). (David J Mathre)


Signed prints and digital downloads of images in the slideshow are available for purchase at my image gallery David Mathre Photography

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