The heat continues, the fireflies are mostly gone and the cicadas are making noise. I really want to find and photograph the cicadas. I hear them, but have yet to find one. While sitting out on the deck I did get a chance to photograph what I believe is a chipping sparrow. Thom Hogan (and birders) would call it a LBJ (little brown job) — but I need the practice focusing and getting a sharp image with a big telephoto lens as part of my quest to get to 10,000 hours.
Chipping Sparrow. Summer Nature in New Jersey. Image taken with a Nikon D3x and 600 mm f/4 VR lens (ISO 400, 600 mm, f/4, 1/50 sec) on a tripod, VR-ON, Mirror-UP. Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5.Chipping Sparrow. Summer Nature in New Jersey. Image taken with a Nikon D3x and 600 mm f/4 VR lens (ISO 400, 600 mm, f/4, 1/50 sec) on a tripod, VR-ON, Mirror-UP. Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5.Chipping Sparrow. Summer Nature in New Jersey. Image taken with a Nikon D3x and 600 mm f/4 VR lens (ISO 400, 600 mm, f/4, 1/50 sec) on a tripod, VR-ON, Mirror-UP. Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5.
10,000 Hours to Become an Expert. Over the last couple of days I have seen several blogs referencing that it takes 10,000 hours to become an expert in a subject, activity, profession, etc. Thom Hogan and Mike Hagen have related this to becoming a photography expert. Thom Hogan pointed out that 10,000 hours is 40 hours/week for 5 years. (About as long as it took me to complete my PhD studies in Organic Chemistry). This could be doubled if visualization/acquisition of the image, and post processing are separate areas of expertise. Unless totally committed (and not having a day job to pay the bills) how many folks have 10,000 hours to commit to becoming an expert in 5, 10, or 20 years? I have always taken on new challenges every few years, both professional at work and outside of work. It was about 5 years ago that I decided to take on photography. From my point of view, the technical side was easy (but still requiring a lot of work and practice). For me the artistic side is the challenge. I have had several teachers/mentors (Winston Hall, Thom Hogan, Michael Marriant) over the past 5 years. One thing I learned from Winston was to share a new image every day (and thus my “Image of the Day” postings) and then learn from the feedback. Thom Hogan also pointed out today you also need to accept and learn from failures. If you don’t like one of my images, let me know.
Back to my “Images of the Day”. Another hot summer evening in New Jersey. Each of my tomato pots on the deck took 2 gallons of water. As I was sitting out on my deck I took some images of a young fawn, a grey cowbird, and Harvey the backyard rabbit. All were taken with a Nikon D3x camera and 600 mm f/4 VR lens. Because the D3x camera has a 24 MP sensor, I was able to do significant crops and still retain significant detail. I will break this into 3 posts (one for each animal) because of the number of images.
Grey Catbird with Insect Lunch. Summer Nature in New Jersey. Image taken with a Nikon D3x and 600 mm f/4 lens (ISO 400, 600 mm, f/4, 1/250 sec). Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5.Grey Catbird. Summer Nature in New Jersey. Image taken with a Nikon D3x and 600 mm f/4 lens (ISO 800, 600 mm, f/4, 1/125 sec). Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5.
Some images that I took on a walkabout this morning in the Sourland Mountain Preserve. This was a test to see what I could photograph with a 500 mm f/4 lens on a monopod. The minimum focus distance for the lens is 12.6 feet (4 m) which is a challenge for close up images of insects.
The first image is a close-up of a Dragonfly. The second is what I believe is a Blue Grosbeak. The third is a Yellow Swallowtail Butterfly on Milkweed flowers. The fourth and fifth images are Snowberry Clearwing Moths (Thanks to Rick Sidler for the ID and link). It is larger (longer) than a Bumblebee, but its wings are small and transparent. It also was working the Milkweed flowers. The sixth image is Kermit the Bullfrog.
Dragonfly at the Sourland Mountain Reserve. Image taken with a Nikon D3x and 500 mm f/4 VR lens (ISO 100, 500 mm, f/4, 1/500 sec). Raw image processed with Capture One Pro, Focus Magic, Nik Define, and Photoshop CS5.Blue Grosbeak? at the Sourland Mountain Reserve. Image taken with a Nikon D3x and 500 mm f/4 VR lens (ISO 100, 500 mm, f/4, 1/100 sec). Raw image processed with Capture One Pro, Focus Magic, Nik Define, and Photoshop CS5.Yellow Swallowtail Butterfly at the Sourland Mountain Reserve. Image taken with a Nikon D3x and 500 mm f/4 VR lens (ISO 100, 500 mm, f/4, 1/100 sec). Raw image processed with Capture One Pro, Focus Magic, Nik Define, and Photoshop CS5.Snowberry Clearwing Moth at the Sourland Mountain Reserve. Image taken with a Nikon D3x and 500 mm f/4 VR lens (ISO 400, 500 mm, f/4, 1/400 sec). Raw image processed with Capture One Pro, Focus Magic, Nik Define, and Photoshop CS5.Snowberry Clearwing Moth at the Sourland Mountain Reserve. Image taken with a Nikon D3x and 500 mm f/4 VR lens (ISO 200, 500 mm, f/4, 1/160 sec). Raw image processed with Capture One Pro, Focus Magic, Nik Define, and Photoshop CS5.Kermit the Bullfrog at the Sourland Mountain Reserve. Image taken with a Nikon D3x and 500 mm f/4 VR lens (ISO 400, 500 mm, f/4, 1/400 sec). Raw image processed with Capture One Pro, Focus Magic, Nik Define, and Photoshop CS5.
While sitting on my deck this evening, I captured images of some Grey Catbirds. Although the birds are pretty drab, they are good for practicing good long-lens technique. I used a Nikon D300 camera. The smaller DX sensor gives the illusion of 1.5x magnification for the 600 mm lens. I can get the same effect by using the D3x camera and cropping to the same size. Down side for the D300 camera is that the sensor is not as good in low light, and that the processing speed and buffer is not as fast as the D3 series camera bodies.
I also saw a Ruby Hummingbird, however it was too close to focus with the lens I was using. There is nothing much in bloom right now, so I might get a hummingbird feeder to see if I can get some local hummingbird images.
Grey Catbird. Early Summer Nature in New Jersey. Image taken with a Nikon D300 and 600 mm f/4 lens (ISO 400, 600 mm, f/4, 1/200 sec). Raw image processed with Capture One Pro 6, Focus Magic, Nik Define 2, and Photoshop CS5.Grey Catbird. Early Summer Nature in New Jersey. Image taken with a Nikon D300 and 600 mm f/4 lens (ISO 250, 600 mm, f/4, 1/200 sec). Raw image processed with Capture One Pro 6, Focus Magic, Nik Define 2, and Photoshop CS5.Grey Catbird. Early Summer Nature in New Jersey. Image taken with a Nikon D300 and 600 mm f/4 lens (ISO 200, 600 mm, f/4, 1/200 sec). Raw image processed with Capture One Pro 6, Focus Magic, Nik Define 2, and Photoshop CS5.
I’ve never been able to get a picture of an American Gold Finch in my backyard. I’ve seen them, but they never stay in one place long enough to focus. Now that I have the adapter to have the new telephoto lens on a Gitzo Tripod with a Wimbly mount, I was able to get this image of four American Gold Finches. They were in the top of a tree approximately 150 feet from my deck.
Four American Gold Finches Waiting For Sunset. Outdoor Nature in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 lens (ISO 200, 600 mm, f/4.5 1/1000 sec). Raw image processed with Capture One Pro, Focus Magic, and Photoshop CS5.
