Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 6: Hosteria El Pilar, El Chalten, Laguna Torre, Parque Nacional Los Glaciaries.
Composite Panorama Image Processing.
There are several image processing programs available to combine images to afford wider panorama images. The images of Laguna Torre were taken on a hike from El Chalten in Parque Nacional Los Glaciares while on a Photography Workshop in Patagonia with Thom Hogan on 01-January-2011. Three examples shown below have four portrait orientation images combined using Photoshop CS5, AutoPano Giga 2.5, and PTGui. All three composite images were cropped to the largest rectangle: Photoshop (11865 x 5814), AutoPano (12572 x 6266), and PTGui (12091 x 5979). Photoshop did the best job in minimizing the stitching artifacts in the water. AutoPano Giga did the best job in including the most image area — our hiking guide in the far lower right corner of the image is not cut off
Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using Photoshop CS5.Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using AutoPano Giga Pro.Laguna Torre Panorama. Composite of 4 images from a Nikon D3x and 50 mm f/1.4G lens (ISO 100, f/11, 1/40 sec) combined using PTGui Pro.
Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 6: Hosteria El Pilar, El Chalten, Laguna Torre, Parque Nacional Los Glaciaries.
Photo Techniques. High Dynamic Range (HDR) Image Processing.
I continue to evaluate and compare several HDR processing programs. The images were taken on a hike from El Chalten to Laguna Torre in Parque Nacional Los Glaciares while on a Photography Workshop in Patagonia with Thom Hogan on 01-January-2011. The first three images are composites of 5 images processed with Photoshop CS5 HDR Pro, Photomatix, and NIK HDR Efex Pro. The last two images are single image HDR processed with Capture One Pro and DxO. Of these I like the image from NIK HDR Efex Pro best.
Patagonia Panorama. Image taken with a Nikon D3x and 16-28 mm f/4 VR lens (ISO 100, 31 mm, f/11, 1/200 sec). Five image HDR with Photoshop CS5.Patagonia Panorama. Image taken with a Nikon D3x and 16-28 mm f/4 VR lens (ISO 100, 31 mm, f/11, 1/200 sec). Five image HDR with Photomatix.Patagonia Panorama. Image taken with a Nikon D3x and 16-28 mm f/4 VR lens (ISO 100, 31 mm, f/11, 1/200 sec). Five image HDR with Nik HDR Pro.Patagonia Panorama. Image taken with a Nikon D3x and 16-28 mm f/4 VR lens (ISO 100, 31 mm, f/11, 1/200 sec). Single image HDR with DxO Pro.Patagonia Panorama. Image taken with a Nikon D3x and 16-28 mm f/4 VR lens (ISO 100, 31 mm, f/11, 1/200 sec). Single image HDR with Capture One 6 Pro.
As the year comes to and end, and I try to reflect on everything I have done and everywhere I have been — all I can say is WOW!. The year started out with a great photography trip to Patagonia with Thom Hogan. We will ignore the extra few days we were held hostage in southern Chile. This was followed by the Ultimate Travel Workshop II on the Semester at Sea M/V Explorer lead by Michael Mariant. This started in San Diego, and then stopped in Mexico, Guatemala, Nicaragua, Costa Rica, Panama (including a transit through the Panama Canal), Costa Rica, Honduras, Belize, Mexico, and ended in Fort Lauderdale. My parents were along for this trip. I then attended a Workshop in Death Valley, also lead by Michael Mariant.
There have been a number of challenges at work. We shut down our San Francisco operations which included part of my group, and thus no more regular trips to California. We ended the year achieving (and exceeding) all of our objectives. I also attended a work sponsored executive retirement seminar. It is hard to believe that I have been working long enough to even consider retirement, but then again maybe I could spend more time working on photography.
This year I expanded beyond my Nikon cameras and lenses — adding a Leica X1 and Leica V-Lux 30 P&S cameara. NAS did add a couple of lenses to the kit (500 mm f/4 VRII and 600 mm f/4 VRII telephoto). Also at the end of the year I added a Nikon 1 V1 (mirrorless) camera body with the 10 mm f/2.8 lens, the 10-30 mm lens, 30-110 mm lens, and the 10-100 mm lens. I am looking forward to the FT1 lens adapter so I can use this camera body with a telescope.
Looking through my image database, it looks like I took something over 120K images this year — a new record for me. It also meant that I needed to update my digital asset management strategy. Lightroom is good, but can’t handle this many images. I’m currently testing Media Pro (Phase One). Capture One Pro (also Phase One) is now my primary image processing workflow, although I still am using Adobe Photoshop CS 5 and many Nik, OnOne, and Topaz plugins. I also needed to update my image storage and backup strategy after some hard drive failures. I’ve moved to a couple of Drobo disk arrays (16 TB) on and off-site.
Plans for next year? Thought about, but I didn’t sign up for the Semester at Sea Enrichment Voyage to the Carribean and Brazil (including a trip up the Amazon river). Thinking about a Hurtigruten cruise in Norway to see the Northern Lights, Nikonians Ultimate Travel Workshop III (San Diego, Central America, Peru – including Galapagos Islands), and also a trip to Cuba. If none of this works out, maybe it it time for a road trip out west. The White Ram (Roadtrek RV) is anxious for a road trip!
After dumping Facebook last year when my account was hacked, I joined Google+ this year. Google+ is a better platform for photographers. I really like the Daily Image Themes, and have been contributing a number of images.
Self Portrait in Death Valley. Image taken with a Nikon D3x and 16 mm f/2.8 fisheye lens (ISO 100, 16 mm, f/16, 1/100 sec). (David J Mathre)
Gone to See America. December 2011 Florida Road Trip. Day 5: St. Petersburg.
Sun Rising from under the Sunshine Skyway bridge viewed from Fort De Soto Park. Merry Christmas and Happy Holidays.
Sunrise Rising Under the Sunshine Skyway Bridge from Fort De Soto Park. Image taken with a Nikon D3x and 70-200 mm f/2 VRII lens (ISO 100, 105 mm, f/16. 1/60 sec). (David J Mathre)
Gone to See America. December 2011 Florida Road Trip. Day 2: Merritt Island National Wildlife Refuge.
After arriving at my hotel in Cocoa Beach I drove to Merritt Island Wildlife Refuge. It took about 40 minutes to get to the headquarters to buy a new America the Beautiful pass. They were going to give it to me for the senior rate of $10, but to be ethical I paid the full price. I then went for one round through the 7 mile, one-way Black Point Wildlife drive before sundown. They close the road at sunset. The following are some images I took along the road.
Great Egret Hunting. Black Point Wildlife Road, Merritt Island Wildlife Refuge, Florida. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 200, 400 mm, f/4, 1/800 sec). (David J Mathre)Late Afternoon Great Blue Heron Hunting. Black Point Wildlife Road, Merritt Island Wildlife Refuge, Florida. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 200, 330 mm, f/4, 1/500 sec). (David J Mathre)Late Afternoon Great Blue Heron Hunting. Black Point Wildlife Road, Merritt Island Wildlife Refuge, Florida. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 200, 200 mm, f/4, 1/400 sec). (David J Mathre)Great Blue Heron Swallowing a Frog. Black Point Wildlife Road, Merritt Island Wildlife Refuge, Florida. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 1800, 400 mm, f/4, 1/320 sec). (David J Mathre)Great Blue Heron Doing the Chicken Dance. Black Point Wildlife Road, Merritt Island Wildlife Refuge, Florida. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 1800, 400 mm, f/4, 1/320 sec). (David J Mathre)Great Blue Heron. On Black Point Wildlife Drive in iMerritt Island Wildlife Refuge. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 2000, 400 mm, f/4, 1/320 sec) (David J Mathre)Lone Great Egret Hunting on a Small Island. On Black Point Wildlife Drive in iMerritt Island Wildlife Refuge. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 200, 400 mm, f/4, 1/500 sec) (David J Mathre)Lone Wood Stork. On Black Point Wildlife Drive in iMerritt Island Wildlife Refuge. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 200, 400 mm, f/4, 1/640 sec) (David J Mathre)Alligator with Reflected Eye. On Black Point Wildlife Drive in iMerritt Island Wildlife Refuge. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 2200, 400 mm, f/4, 1/320 sec) (David J Mathre)Sunset from Merritt Island, Florida. Image taken with a Nikon D3s and 200-400 mm f/4 VR lens (ISO 800, 200 mm, f/22, 1/320 sec) (David J Mathre)
