Category: Photo Techniques

Ten-Years Ago (13-January-2007) — New Jersey

Indoor Winter Nature in New Jersey.

Western Conifer Seed Bug – Indoor Winter Nature. Image taken with a Nikon D2xs camera and 105 mm f/2.8 VR macro lens (ISO 100, 105 mm, f/20, 1/60 sec). Not a Brown Marmorated Stink Bug!

Western Conifer Seed Bug - Indoor Winter Nature. Image taken with a Nikon D2xs camera and 105 mm f/2.8 VR macro lens (ISO 100, 105 mm, f/20, 1/60 sec). Not a brown marmorated stink bug. (David J Mathre)
Western Conifer Seed Bug – Indoor Winter Nature. Image taken with a Nikon D2xs camera and 105 mm f/2.8 VR macro lens (ISO 100, 105 mm, f/20, 1/60 sec). Not a brown marmorated stink bug. (David J Mathre)
Western Conifer Seed Bug - Indoor Winter Nature. Image taken with a Nikon D2xs camera and 105 mm f/2.8 VR macro lens (ISO 100, 105 mm, f/20, 1/60 sec). Not a brown marmorated stink bug. (David J Mathre)
Western Conifer Seed Bug – Indoor Winter Nature. Image taken with a Nikon D2xs camera and 105 mm f/2.8 VR macro lens (ISO 100, 105 mm, f/20, 1/60 sec). Not a brown marmorated stink bug. (David J Mathre)

One-Year Ago (11-January-2016) — Pacific Ocean

Gone to See the World. Semester at Sea Spring 2016 Voyage on the MV World Odyssey. Day 7: Crossing the Pacific Ocean.

Up early to see the dawn colors develop, then transition to sunrise. The Brown Booby continued to follow (or lead) the ship. There were low clouds on the horizon, so no green flash. You could see three sunspots on the solar disk before it disappeared before sunset. I normally wouldn’t point a camera with a big lens at the sun. It’s not as much a problem with the mirrorless cameras where you are not looking directly at the sun (rather a video image) and when the sky at the horizon becomes the multi-stop filter due to haze (humidity or pollution). The closer we got to Asia, this actually became an issue when the sun would disappear 15 minutes to half an hour before sunset.

Dawn from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Composite of six images taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2, 1/60 sec). Images processed with Capture One Pro, Kolor AutoPano Giga Pro and Photoshop CC. (David J Mathre)
Dawn from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Composite of six images taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/2, 1/60 sec). Images processed with Capture One Pro, Kolor AutoPano Giga Pro and Photoshop CC. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/16, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. In camera panorama taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/8, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. In camera panorama taken with a Fuji X-T1 camera and 23 mm f/1.4 lens (ISO 200, 23 mm, f/8, 1/250 sec). Images processed with Capture One Pro. (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Sunrise from the deck of the MV World Odyssey while traveling across the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Brown Booby flying beside the MV World Odyssey as we crossed the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 160, 300 mm, f/5.6, 1/500 sec). (David J Mathre)
Brown Booby flying beside the MV World Odyssey as we crossed the Pacific Ocean. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 160, 300 mm, f/5.6, 1/500 sec). (David J Mathre)
Sunset through wet glass. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Sunset through wet glass. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/11, 1/1000 sec). (David J Mathre)
Premature Sunset through low clouds on the horizon. Check out the sunspots. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/8, 1/500 sec). (David J Mathre)
Premature Sunset through low clouds on the horizon. Check out the sunspots. Image taken with a Nikon 1 V3 camera and 70-300 mm VR lens (ISO 200, 300 mm, f/8, 1/500 sec). (David J Mathre)

Four-Years Ago (10-January-2013) — Florida

Gone to See America. January 2013 Florida Road Trip. Day 8: Merritt Island.

Have you ever had the Google Photo Assistant create or add a photo effect that makes no sense? This is an image I previously posted of “Two Roseate Spoonbills and Five Brown Pelicans Flying in Formation formation over the Merritt Island Wildlife Preserve”. The Google “photo assistant” created a version with snow falling. It also changed the location to Bengaluru, Karnataka, India???

Two Roseate Spoonbills in a Formation of Pelicans. Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 200, 300 mm, f/11, 1/500 sec). (David J Mathre)
Two Roseate Spoonbills in a Formation of Pelicans. Merritt Island National Wildlife Refuge. Image taken with a Nikon D700 and 28-300 mm VR lens (ISO 200, 300 mm, f/11, 1/500 sec). (David J Mathre)

Six-Years Ago (10-January-2011) — Chile

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 15: Torres del Paine National Park, Hosteria Lago Grey, Chile.

Prior to departing Hosteria Lago Grey, we were rewarded with several rainbows. The first one was at dawn, with only the red and orange colors. Later on after the sun rose a bit further there was a full rainbow over Lago Grey and the glacier.

Early Morning Rainbow, Lago Grey, Torres del Paine, Chile. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photomatix Pro (David J Mathre)
Dawn Rainbow over Lago Grey. Image taken with a Nikon D3s and 28-120 mm f/4 lens (ISO 200, 31 mm, f/5.6). HDR composite of 4 images using Photomatix Pro (David J Mathre)
Early Morning Rainbow from Hosteria Lago Grey, Torres del Paine National Park, Chile. Composite of two images from a Nikon D3x and 24-120 mm f/4 lens (ISO 100, 24 mm, f/5.6, 1/80 sec) combined using AutoPano Giga Pro. (David J Mathre)
Early Morning Rainbow from Hosteria Lago Grey. Composite of two images from a Nikon D3x and 24-120 mm f/4 lens (ISO 100, 24 mm, f/5.6, 1/80 sec) combined using AutoPano Giga Pro. (David J Mathre)

Six-Years Ago (09-January-2011) — Chile

Gone to See Patagonia 2010/2011. Photography Workshop with Thom Hogan. Day 14: Torres del Paine National Park, Hosteria Lago Grey, Chile.

Rob, our guide walking the high-wire at a construction site near Hosteria Lago Grey in some pretty high Patagonian winds. Images taken with a Nikon D3s camera and 28-120 mm f/4 lens. Animation created using Google Photo.