Gone to See America October 2008 Road Trip. Eighth Annual Nikonian Photography Adventure Trip. Day 3: Yosemite National Park.
Thistle Flowers in Yosemite Valley. Image taken in the morning on day 3 of our visit in and around Yosemite National Park. How peaceful it was in the morning before the 1st rock slide at Curry Village.
Gone to See America October 2008 Road Trip. Eighth Annual Nikonian Photography Adventure Trip. Day 1: Yosemite National Park.
Sunset Panorama of Yosemite Valley from Tunnel View. There were many photographers (in addition to the Nikonian group) lined up at the Tunnel View parking lot to photograph sunset. Many left thinking nothing was going to happen, then all of a sudden sunlight came in from the west under the clouds to light up both sides of the valley with this incredible orange color. I think that the mist down in the valley is smoke from campers cooking dinner.
Gone to See America October 2008 Road Trip. Yosemite National Park.
Red Headed Woodpecker. As I drove through Yosemite Valley on the way to Curry Village to join the Nikonians group for ANPAT 8, I noticed this Red Headed Woodpecker (Northern Pileated Woodpecker) on a dead tree. I stopped and realized that it was loading acorns into the tree for winter. I didn’t know that these woodpeckers also lived in California.
Flying Across the United States: Fermi National Accelerator Laboratory From 35K Feet.
While flying from Denver, Colorado to Newark, New Jersey I saw the Fermi National Accelerator Laboratory out my window. Sometimes it is amazing the images you can get out the window of a commercial jet at 35K feet.
Gone to See America 2008. Page Arizona Photography Workshop with Winston Hall. Day 1: Lower Antelope Canyon.
On the first day of the Page Arizona Workshop with Winston Hall we started with a session in Lower Antelope Canyon. The upper and lower portions of Antelope Canyon are narrow slot canyons on the Navajo reservation near Page Arizona. The canyons are favorites for photographers because of the constantly changing light and textures. The canyons can be a challenge to photograph because of the wide range of light levels well beyond the capabilities of digital camera sensors. Several of the following images are HDR composites of 5 images (over and under exposed) processed using Photomatix Pro.