Tuesday (12-July-2011) — New Jersey

Indoor Summertime Nature in New Jersey.

Moth Attracted by Moonlight. After I was done shooting the moon and deer by moonlight, I saw this Moth. I assume that it was attracted by the moonlight.

Moth Attracted by Moonlight. Summer in New Jersey. Image taken with a Nikon D3s and 105 mm f/2.8 macro lens (ISO 800, 105 mm, f/16, 1/30 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. (David J Mathre)
Moth Attracted by Moonlight. Summer in New Jersey. Image taken with a Nikon D3s and 105 mm f/2.8 macro lens (ISO 800, 105 mm, f/16, 1/30 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5.

Tuesday (12-July-2011) — New Jersey

Backyard Summertime Night Sky over New Jersey.

Jet Transiting the Waxing Gibbous Moon. I am still having issues with the video mode automatic gain “feature” with the Nikon D3s. In doors with normal light levels it doesn’t seem to be that much of a problem. However, when trying to take video images of the moon through a telephoto lens, the moon is over-exposed. During the testing, I managed to catch a jet transiting in front of the moon. I happened very quickly (less than one second). The video below shows the transit  across the lower part of the moon 1) as is; 2) zoomed in from 100% to 250%; and 3) zoomed in at 250% and slowed down to 33% speed. There was also some cloud cover moving during the sequence.

[Insert Video Here]

I also took some still images of the moon with the same camera and lens, but with a TC-E III 20 teleconverter. The goal was to see how sharp an image of the moon I could get with a 1200 mm lens. Focusing was through “Live View”, and to minimize camera shake used the “mirror up” mode to allow the system to stabilize. The D3s allows the use of “Live View” and “mirror up” because “Live View” is now selected via a button on the back of the camera. You don’t have the ability to use “Live View” and “mirror up”. The first still image of the waxing gibbous moon at 92% illumination was taken at ISO 200, f/8, and 1/200 second. The second at ISO 200, f/16, and 1/50 second. If I did my calculations right for a 1200 mm lens on a FX sized sensor, the moon should only move ~0.2 pixels for a 1/50 second exposure.

Waxing Gibbous Moon (92%). Summer Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens + TC-E III 20 teleconverter (ISO 200, 1200 mm, f/8, 1/200 sec). Raw image processed with Capture One Pro 6, and Photoshop CS5 (David J Mathre)
Waxing Gibbous Moon (92%). Summer Night in New Jersey. Image taken with a Nikon D3s camera and 600 mm f/4 VR lens + TC-E III 20 teleconverter (ISO 200, 1200 mm, f/8, 1/200 sec). Raw image processed with Capture One Pro 6, and Photoshop CS5
Waxing Gibbous Moon (85%). Summer Night in New Jersey. Image taken with a Nikon D3s and 600 mm f/4 VR lens + TC-E III 20 teleconverter (ISO 200, 1200 mm, f/16, 1/50 sec). Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5 (David J Mathre)
Waxing Gibbous Moon (85%). Summer Night in New Jersey. Image taken with a Nikon D3s camera and 600 mm f/4 VR lens + TC-E III 20 teleconverter (ISO 200, 1200 mm, f/16, 1/50 sec). Raw image processed with Capture One Pro 6, Nik Define 2, and Photoshop CS5

Tuesday (12-July-2011) — New Jersey

Backyard Nighttime Nature in New Jersey.

Young Buck by Moonlight. While out shooting the moon, I noticed a dark shadow about 50 feet out from my deck. I pointed my LED headlamp a saw a couple of yellow eyes reflecting back — probably a deer. I put my 200 mm f/2 lens on the D3s to see if this camera really can “see in the dark”. The following images may look like they were taken during the day, it was actually after 10 PM. The only light source was moonlight. The images are shown without and then with noise reduction (Topaz DeNoise 5).

Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 1600, 200 mm, f/2.8, 8 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 1600, 200 mm, f/2.8, 8 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 1600, 200 mm, f/2.8, 8 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5, Topaz DeNoise 5. (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 1600, 200 mm, f/2.8, 8 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5, Topaz DeNoise 5.
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 3200, 200 mm, f/2.8, 2 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 3200, 200 mm, f/2.8, 2 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 3200, 200 mm, f/2.8, 2 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. Topaz DeNoise 5 (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 3200, 200 mm, f/2.8, 2 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. Topaz DeNoise 5
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 25600, 200 mm, f/2, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 25600, 200 mm, f/2, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 25600, 200 mm, f/2, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5, Topaz DeNoise 5. (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 25600, 200 mm, f/2, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5, Topaz DeNoise 5.
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 102400, 200 mm, f/4, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 102400, 200 mm, f/4, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. No Noise Reduction
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 102400, 200 mm, f/4, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. Topaz DeNoise 5. (David J Mathre)
Young Buck Moonlighting. Summer Night in New Jersey. Image taken with a Nikon D3s and 200 mm f/2 lens (ISO 102400, 200 mm, f/4, 1 sec). Raw image processed with Capture One Pro 6 and Photoshop CS5. Topaz DeNoise 5.

Tuesday (05-July-2011) — New Jersey

Indoor Summer Nature in New Jersey.

A Stink Bug got caught up in a spider’s web.

Stink Bug. Image taken with a Nikon D3x and 105 mm f/2.8 VR Macro + TC-E III 20 teleconverter (ISO 100, 210 mm, f/6.7, 1/60 sec) with SB-900 Flash. Raw image processed with Capture One Pro 6, and Photoshop CS5. (David J Mathre)
Stink Bug. Image taken with a Nikon D3x and 105 mm f/2.8 VR Macro + TC-E III 20 teleconverter (ISO 100, 210 mm, f/6.7, 1/60 sec) with SB-900 Flash. Raw image processed with Capture One Pro 6, and Photoshop CS5.

 

Four-Years Ago (04-July-2007) — Colorado

Summer in Colorado. Railroad to Pikes Peak.

Four years ago on a lark I drove from Boulder to Colorado Springs and then to Manitou Springs to take the Cog Wheeled Railroad to the summit of Pikes Peak. Little did I know that you needed reservations for the cog rail trip to Pikes Peak, and that all trips were sold out for the day. I was very lucky that someone in line before me was unhappy that their party was not all sitting together and turned in their tickets. Once I got on board the train, I realized that I won the lottery since my ticket was for the front seat. This allowed me to set up a tripod and camera to capture images for a time-lapse video for the train ride. So as not to annoy the other passengers on the train I used a small Gitzo travel tripod, my smallest camera body, and a small lens. Going up the mountain I used a 18-200 mm lens at 18 mm. Going down the mountain my seat was now in the rear of the train looking back. For this I used a 10.5 mm fisheye lens. This was a case of being in the right place at the right time!!!

Steam Engine at Pikes Peak Cog Railroad. Image taken with a Nikon D200 and 10.5 mm f/2.8 fisheye lens (ISO 100, 10.5 mm, f/5.6, 1/250 sec). Raw image processed with Capture One Pro, Focus Magic, Topaz Define, and Photoshop CS5. (David J Mathre)
Steam Engine at Pikes Peak Cog Railroad. Image taken with a Nikon D200 and 10.5 mm f/2.8 fisheye lens (ISO 100, 10.5 mm, f/5.6, 1/250 sec). Raw image processed with Capture One Pro, Focus Magic, Topaz Define, and Photoshop CS5.