I think that this image of the waining gibbous moon with the D3x and 500 mm telephoto lens is sharper that the one I took with the D3x and 600 mm lens of the full moon 15-June-2001. Both were on a Gitzo tripod and Wimberley head, remote shutter, mirror up with 30 sec delay.
While reviewing images from last night, I found one where I captured a firefly flashing. So far it is early in the firefly season and I hope to get more images before the season ends.
We didn’t get to see the full lunar eclipse in this part of the world. The sky was clear, and the moon was bright so I got a chance to test taking images of the moon with my new 600 mm telephoto lens. The first five are attempting the same exposure while changing both aperture and shutter speed (f/16, 1/50 sec; f/11, 1/100 sec; f/8, 1/200 sec; f/5.6, 1/400 sec; and f/4, 1/800 sec). The final image was taken at 1200 mm using a TC-E III 20 teleconverter. For all of the images I used the camera autofocus, remote shutter, mirror up for a 30 second delay to allow the mirror up vibrations to decay, and tripod VR mode.
Gone to See Central America and the Panama Canal. Semester at Sea Spring 2011 Enrichment Voyage on the MV Explorer. Ultimate Travel Photography Workshop II with Michael Mariant. Day 4: At Sea.
We have two days at sea while traveling from Cabo San Lucas in Mexico to Puerto Quetzal in Guatemala. Most of the day was spent in the classroom with Michael. Images for the day include sunrise, sunset, and photography workshop members while at sea.
Gone to See Central America and the Panama Canal. Semester at Sea Spring 2011 Enrichment Voyage on the MV Explorer. Ultimate Travel Photography Workshop II with Michael Mariant. Day 4: At Sea.
Comparison of Digital Noise Reduction Programs. Pre-dawn view of the Moon, Venus (and Mercury) over the Pacific Ocean. Professor Ian Campbell had us look for the moon and several planets in close proximity. Here are a couple of images taken with a Nikon D3x and 85 mm f/1.4 lens (ISO 1600, 85 mm, f/1.4, 1/30 sec). I needed the high ISO to even get a 1/30 sec exposure since it was still dark and the ship was moving. For each image I processed with no digital noise reduction, then with either NIK Define 2.0 or Topaz DeNoise 5.0.