One of the issues I have had with the Nikon 1 “mirrorless” cameras is the lack of wide-angle lens options. The widest angle available with the initial set of lenses was 10 mm f/2.8 prime. This has a 77° field of view (FOV) equivalent to a 27 mm lens on a full-frame (FX) DSLR camera. I like taking wide angle panorama landscape images when traveling. In order to do this with the Nikon 1 camera requires taking several images and then stitching them together during post-processing. Before going to Norway, I saw a note on the internet that the Olympus FCON-T01 Fisheye converter uses the same 40.5 mm thread that the Nikon 1 10 mm f/2.8 lens uses. The 0.74x adapter increases the FOV to something like 20 mm on a FX DSLR camera. I took this combo with me to Norway, and published an image of Greenland from 36,000 feet on Google+.
Since returning from Norway, Nikon released a new wide-angle telephoto lens for Nikon 1 cameras – the 6.7 – 13 mm f/3.5-5.6. At 6.7 mm this lens has a 100° FOV equivalent to a 18 mm lens on a FX DSLR camera. The following three images were taken with the Nikon 1 V2 camera 1) with the 10 mm f/2.8 lens; 2) with the 10 mm f/2.8 lens and the Olympus fisheye converter; and 3) with the 6.7-13 mm lens at 6.7 mm. The wide angle image with the 6.7 mm does not have the fisheye curvature effect. Indeed, when in Norway I found that when I used the Olympus lens I would need to keep the horizon right at the middle of the image. I think that I will be adding the 6.7-13 mm lens to my light-weight travel kit.
Note: Nikon changed the threading on the 6.7-13 mm lens to 52 mm, so I can’t use the Olympus adapter with this lens 😉
Some backyard images taken with a Nikon 1 V2 camera and the new 80-400 mm VRII lens (with the FT1 adapter). The lens is much bigger than the camera, but still easy to use hand-held. The field of view (FOV) with this lens is equivalent to 216-1080 mm on a 35 mm (FX) DSLR. The base ISO for the Nikon 1 V2 is 160, and at the base ISO the image of the spring daffodil shows good colors and saturation. At an ISO of 1600, there is significant noise, and the colors and saturation are reduced as seen with the image of the Doe.